A Quote by Jon Foreman

C.S. Lewis says that fiction is able to sneak past the watchful dragons of religion. It becomes more powerful to speak in poetry. The song goes straight to the heart while the numbers and the math of it will never be able to reach that.
Education happens to be something that all people, all cultures, need to embrace. Math, science, the words of the world. To be able to speak and be able to have clarity and to be able to think. Those are the greatest of gifts.
The cows have ID numbers. And we should be able, throughout the investigation, which is ongoing as we speak, to be able to track that cow back to where it came from initially.
But I'll never write another Missing You' again as long as I live. I hope that I'll write a good song, but I don't think that I'll be able to write another song that will reach people that much.
I tried for a long time to make DJ-able dance tracks that were more specific to the stuff that I was playing. Ultimately, I found I wasn't really capable of doing that. The only type of music I was able to make that really made me feel something would just come straight from my heart or straight from whatever emotions I was feeling at that time.
I do not agree with a big way of doing things. What matters is the individual. If we wait till we get numbers, then we will be lost in the numbers and we will never be able to show that love and respect for the person.
I've seen pretty clear, ever since I was a young un, as religion's something else besides notions. It isn't notions sets people doing the right things--it's feelings. It's the same with the notions in religion as it is with math'matics--a man may be able to work problems straight off in's head as he sits by the fire and smokes his pipe; but if he has to make a machine or a building, he must have a will and a resolution, and love something else better than his own ease.
It's just nice to be able to communicate and be able to identify with a lot of different cultures. I have no idea what it would be like to be just one thing and speak one language. I feel enormously privileged to travel and be able to mingle and speak to people that, had I only known English, I wouldn't have been able to meet.
Poetry should be able to reach everybody, and it should be able to appeal to all levels of understanding.
I think it can be really powerful, and one of the reasons I love making films is I do feel they can reach beyond the statistics and the numbers and the complexities of a particular issue and really highlight the humanity in a way that an article or newspaper story might not be able to do.
Over the years, more than one reviewer has described my fantasy series, 'A Song of Ice and Fire', as historical fiction about history that never happened, flavoured with a dash of sorcery and spiced with dragons. I take that as a compliment.
This is what magic is. It's being able to speak in a voice which makes things happen, being able to speak in a voice which causes facts to be beheld by groups of people in a way that has been purged from profane language, for us relegated to poetry and that sort of thing.
I was scared of failure, of being a one-hit wonder, never being able to write another song again, never being able to sing again. Maybe everything that I think I am and who I want to be never will happen.
For a poet is an airy thing, winged and holy, and he is not able to make poetry until he becomes inspired and goes out of his mind and his intellect is no longer in him.
I feel that as the world becomes more and more multicultural, it's a good tool to be able to speak another language.
I always believed a singer should be able to sing any kind of song. If I wanted to sing a Cole Porter song, I should be able to do that. Or 'Sherry,' I should be able to do that. Or a Dylan song.
I always believed a singer should be able to sing any kind of song. If I wanted to sing a Cole Porter song, I should be able to do that. Or Sherry, I should be able to do that. Or a Dylan song.
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