A Quote by Jon Foreman

If you can have a couple of tight friends that you can tell things to, that you can say, 'Hey, this is what I'm struggling with,' and then pray and talk about it, then that's an incredible thing.
You can pick songs that sound like hits, but if it's not something that somebody wants to tell their friends, 'Hey man, have you heard this song?' then I don't think it's worth it. The only way to get your music out there, is for someone to tell their friends about it.
People ask me what advice I have for a married couple struggling in their relationship. I always answer: pray and forgive. And to young people from violent homes, I say: pray and forgive. And again, even to the single mother with no family support: pray and forgive.
That's the reality of my life - I do normal things and then get to go to film festivals and wear borrowed clothes and turn up at premieres and talk about things I am passionate about. But then you click back to normality and your family and friends.
I could be inspired by something I see or something I hear and write down or send to a friend or a writer or whether I have instrumental tracks or just a couple chords recorded on my phone. If I have a couple sessions set, I'll go into the studio with the people I'm lucky enough to call my friends because I feel like I can talk to them and then suddenly our conversations turn into these songs you hear on the radio. I still don't understand how it happens but I talk about my experiences and my situations and everything and then they turn into these amazing pop songs.
I always feel bad when I meet celebrities and I can just tell every single thing about their personal life, I just say, "Well, they don't have friends. Or a therapist." Once you have both, you don't have to share everything with people, because then you don't have a private life, and then you're, I guess, a workaholic.
The bad thing about being a famous comedian is that every now and then someone approaches me to tell an old joke. Don't tell me jokes - I have that. People also say the weirdest things, sometimes sarcastic things, and even evil things. They like to provoke to get a reaction.
See, the first thing about actors is, you're just trying to get a job; and you audition and audition and you finally get them. And you still consider yourself an auditioning actor. I auditioned for One Fine Day, I wasn't offered that. So you're still in that 'Hey, I'm just trying to get a job' thing. Then, you get to the point where, if you decide to do it, then they'll make the film. That's a different kind of responsibility, and it usually takes a couple of films to catch up. And then you have to actually pay attention to the kind of films that you're making.
I'm a very private person. I barely tell my friends what's going on half the time, so the idea that I should then talk to the world about what is going on seems anathema to me. People can say what they want. I'm not going to change anyone's mind.
You spend your time blaming the other for what's not getting done and you actually do a couple things, and then you switch to, "Hey, let's instead compete about who gets the credit for what we just did." And that's a lot more fun.
It's one thing to sit back and say, 'Hey let's play a club, that will be great,' but then you get there and say, 'Hey wait, this is the dressing room? Where's my dressing room?'
I've had sex before with the belt on. That was back in the Ricco Rodriguez days. The night I won the belt I had a sexual experience with the belt on. But hey, I was 25 years old and it was the biggest thing that ever had happened to me in my life. The girl was like hey, are you going to take that thing off. And I said no, I'm not...I'm wearing it and if you have a problem with it, then I'm leaving. And I hate to say it, but if I do win the belt again, then this time it's never coming off. I'm going to wear it a lot more.
You're not very nice," I say, grinning. "You're one to talk." "Hey, I could be nice if I tried." "Hmm." He taps his chin. "Say something nice, then." "You're very good-looking." He smiles, his teeth a flash in this dark. "I like this 'nice' thing.
Oh brother, pray; in spite of Satan, pray; spend hours in prayer; rather neglect friends than not pray; rather fast, and lose breakfast, dinner, tea, and supper - and sleep too - than not pray. And we must not talk about prayer, we must pray in right earnest. The Lord is near. He comes softly while the virgins slumber.
But live you get the chance every night to rework it and change it and hone it. But then you get the false, weird oddness of being able to look at it and say: "Well that's weird, because last night they laughed at that and yet they didn't tonight. So what did I do? Nothing was different." You have that strange thing of being able to tell within five minutes what an audience is like. Very quickly an audience gets a personality and you start to think: "What is it about you all; you all hate it, don't you?" Then you come out and have friends in and they say: "It was brilliant!"
I've actually found - especially doing my cabaret show - I'm connecting with people in a way I haven't connected with them. I've found that when you're open and honest, people respond to that, whatever you're being open and honest about. You could then, when you lay that as the groundwork, say, "Here I am. This is what I think. I come in peace." Then you're able to push out, to be able to talk about more things. And that's been a really heartening thing about my life, actually.
It's interesting because the way J.J. cuts - we're very close with our editors as well, so it's kind of the first cut and then he went back and started tightening things up, etc, then loosing things when it was too tight. Then you start watching it and you start figuring out performance - not performance, character-wise I should say, who you're really able to follow, whose journey is harder to follow, and you make all that work.
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