A Quote by Jon Foreman

I want to be a compassionate soul, finding worth and beauty in the worlds around me and within me, attempting to sing a transcendent tune with my temporal position in this life.
Singing is my passion, my first love and the secret of my energy. Music to me is like finding my inner self, my soul. It gives me a great joy to see audiences enjoying with me. I have given my heart to singing. When I sing, I can feel romance in everything around me.
Honor to the idealists, whether philosophers or poets. They have improved us by mingling with our daily pursuits great and transcendent conceptions. They have thrown around our sensual life the grandeur of a better, and drawn us up from contacts with the temporal and the selfish to communion with beauty and truth and goodness.
My Soul gave me good counsel, teaching me that the lamp which I carry does not belong to me, and the song that I sing was not generated from within me.
Tell me, can you see beauty? Can you let it renew your commitment to life, every day? I don't want to wait for death to be near to receive the beauty in my life. I want to be awed every day by the truth-pretty or painful-and let it open me to the beauty that surrounds me and draws me deeper and deeper into my own life.
The words are the important thing. Don't worry about tunes. Take a tune, sing high when they sing low, sing fast when they sing slow, and you've got a new tune.
We desire to possess a beauty that is worth pursuing, worth fighting for, a beauty that is core to who we truly are. We want beauty that can be seen; beauty that can be felt; beauty that affects others; a beauty all our own to unveil.
Musicals are hard for me because I got thrown out of the glee club in high school, because I couldn't sing in tune at the time. I can sing in tune now, but I have to work really hard on it to make sure that I don't exercise one of my great talents, which is the ability to sing in three keys at the same time.
When I sing a tune, the lyrics are important to me. Most of the standard lyrics I know well. And as soon as I hear an arrangement, I get ideas, kind of like blowing a horn. I guess I never sing a tune the same way twice.
I feel like this: When you call me in to do something with you, you must want me to do soul-singing. Because you know I'm a soul singer. Don't ask me to come in and rap. And don't ask me to come in and sing pop.
I don't sing professionally; I sing because people who make my films want me to sing. So, as long as they want me to croon in the film, I will sing.
Art doesn't have the stench of a community program. It's transcendent. It is transcendent of morality and transcendent of political position. It is absolutely free. It is the community center.
My first album was me finding myself and my voice, finding how I sing. I was rolling with the punches because everything was new to me.
Expectations don't scare me because I have worked towards them. I want people to expect better things from me with every film. I never want to be in a position where they don't expect anything from me. I want to be in a position where if they are expecting sun from me, at least I will be able to reach the moon.
somebody/ anybody sing a black girl's song bring her out to know herself to know you but sing her rhythms carin/ struggle/ hard times sing her song of life she's been dead so long closed in silence so long she doesn't know the sound of her own voice her infinite beauty she's half-notes scattered without rhythm/ no tune sing her sighs sing the song of her possibilities sing a righteous gospel let her be born let her be born & handled warmly.
There's been a time where I was like, I wanna be a folk singer; no, I wanna sing soul. I want to sing classical music. I want to sing R&B. I want to be on Broadway. I just wanna sing. Whatever comes out of my mouth, that's what I want to do.
I use Auto-Tune but it's not to mask anything. If you come to see me live, I can sing on the spot. Auto-tune is just for the recording. It keeps everything really precise.
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