A Quote by Jon Gordon

It's very unlikely you're a genius, but, if you're ready to work at it hard and you want to listen to music all the time and you want to learn about it and you want to be around the people who do it, you'll find your own way.
When you get to your teenage years, you want to find something that you identify with. It's almost a slight rebellion; you don't want to listen to what your parents listen to anymore; you want to find your own music. That, for me, was hearing the Fugees for the first time.
Millennials want to find meaning in their work, and they want to make a difference. They want to be listened to. They want you to understand that they fuse life and work. They want to have a say about how they do their work. They want to be rewarded. They want to be recognized. They want a good relationship with their boss. They want to learn. But most of all, they want to succeed. They want to have fun!
If you want to be a photographer, particularly a photojournalist , you want to learn about the world. You want to learn about yourself. And you want to find things that you genuinely care about, because that will be the source of your greatest work.
I spent so much time focusing on haters that I forgot about the people that actually love me. And that's who I'm focused on this time around: the people that want to listen. The people that don't want to listen, don't listen. This is for the people that want to.
I want to listen to my Apple Music on my iPhone. I also want to listen to it on my iPad. I want to play it on my Apple TV; I want to be connected everywhere I go. It fits into the puzzle of everything that is Apple, and, therefore, it should not be seen as some sort of separate entity that is trying to find its way.
I do write my own music, and I also have been doing a lot of non-Beatle covers, just singing whatever I want to sing, the way I want to sing. But it can be hard to find the time to do that.
People want to listen to a lot of music and do whatever they want with it. They don't want DRM, they don't want subscriptions. They don't want a player that only can do this but can't do that and you only have one copy. They don't want that. You know? I don't want that.
I urge people to be a scientist about what they want and ask themselves why they want it so badly. Perhaps they are chasing an illusory dream. But if you want to learn, to expand, to be of service, you will find a way.
When I write stuff that's provocative, I want people to think about that, too. I'm in between a pop musician and an artist in that way. I want people to be part of the music as they listen, but I also want them to think: What was that?
When you work with a major label they create their own message for you and a lot of the time that works great, or at least it did back in the 90's but now it doesn't work, so I think as an artist if you learn your own business, like anybody would when they want to start a little restaurant - they'd figure it out and then build it and they work hard - then it could be your own little business that you grew to as big as you want it to be but you had much more control with how to communicate it and how it's cared for.
I want to listen to people's stories and find strength in them. There is so much human-caused pain and suffering in the world. I want to honor all those difficult experiences and acknowledge their aftermath. At the same time, I want to really see and love the world around me.
I'm not into screamo music, but I respect it. It's hard to do, to keep your voice and stuff like that. It's hard to do, so I respect the music. It's just not my favorite to listen to. That's all I want. I just want people to respect me as an artist.
I want to do movies, but I want to do something that's good. I don't want to make any more films until I feel that I'm ready for it. I want to have good work, and a very elegant life. I believe you get what you want.
The hardest thing about being a young musician on the jazz scene is that there are so many styles of music, jazz and otherwise, that you're exposed to. The challenge is to use all that in your own way, to personalize all that has come before you and all that is happening around you. To get the music the way you want it, there's a lot of work involved.
There's always so much music around me now, it seems like everything has to be something with music, so in my spare time I try not to listen to anything. It's so hard for me to listen to something without trying to see a benefit in it: "Maybe I'll make my own version of that track or maybe I'll do this or that." When I'm off I just don't want to hear anything.
The music that we listen to these days, everything is right there in your face. There's no real mystery. It's not poetic. I want people to think. I want to make people listen to my lyrics.
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