A Quote by Jon Gordon

[Eddie Locke] had a huge impact in my life. He was a great jazz drummer. He was mentored by Papa Joe Jones and he played for many years with Coleman Hawkins and Roy Eldridge and actually got me on a gig with Roy Eldridge when I was 20 that I'll never forget.
I think Roy Jones is a great fighter, a great puncher. But you know, he doesn't use the jab. But he's got everything else going for him. The problem that hurts Roy Jones in the boxing business, in the celebrity business, is his attitude. Attitude hurts, because you say a lot of things that you probably don't really mean and you say them because you don't want to be put down. But you've got a lot of people who don't like what you say, and that hurts. And that's what Roy Jones has been hurt by. That's what I have been hurt by.
As for Roy, I love playing Roy. I'm working at it, but I wish I had less of a care of what people thought of me, so that I could be more like Roy.
Once there was Louis Armstrong blowing his beautiful top in the muds of New Orleans; before him the mad musicians who had paraded on official days and broke up their Sousa marches into ragtime. Then there was swing, and Roy Eldridge, vigorous and virile, blasting the horn for everything it had in waves of power and logic and subtlety - leaning into it with glittering eyes and a lovely smile and sending it out broadcast to rock the jazz world.
Roy Jones still number one and it's gon' be that way baby! For all these doubters, him [points to Larry Merchant] and the rest of them that said Roy Jones is a fluke, now they know.
Many critics always saw and heard that my style comes from Roy Eldridge, which is true. But for many things, not only how to play the trumpet but the way to choose the notes, how to play them and how to phrase all of them, I took that from Sweets [Edison]. He really brought something new to the trumpet.
I met Roy's father once... And I think that Roy's relationship with his father is still at the heart of what Roy does. But at the end of the day, he's trying to prove himself to a father he'll never really please.
'Band Played On' is a good one. Barbara Orbison, who was Roy's wife, was involved in publishing in Nashville because she oversaw Roy's publishing, and she had a company in Nashville. She had a whole bunch of writers assembled, and they got together every day and wrote, and they write for everybody in Nashville.
Bad news drives out good news. The irrational is more controversial than the rational. Concurrence can no longer compete with dissent. One minute of Eldridge Cleaver is worth ten minutes of Roy Wilkins. The labor crises settled at the negotiating table is nothing compared to the confrontation that results in a strike ... normality has become the nemesis of network news.
On 'Arrow,' we have Ray Palmer and Roy Harper, and if you call Roy 'Ray' and Ray 'Roy,' you have to put money into the jar.
A young tenor player was complaining to me that Coleman Hawkins made him nervous. Man, I told him Hawkins was supposed to make him nervous! Hawkins has been making other sax players nervous for forty years!
I grew up a huge Roy Orbison fan. He had such a crazy range. And I grew up listening to old jazz, Billie Holiday, Nina Simone. I remember trying to imitate female jazz singers because I had a higher range.
Ronnie Moran, Joe Fagan, Bob Paisley, Roy Evans - they were hard on us young players. If you got a 'well done' off Ronnie Moran, you must have played well... They never used superlatives at Liverpool.
Roy was just another bureaucrat to me, but I realized very soon that without Roy this thing would have died.
At Verve, my bookkeeper would invariably say, 'Well, why do you want to put out Roy Eldridge?' Or 'Why do you want to put out Ben Webster? They don't sell.' And I'd say, 'Well, whether they sell or not, they're important, they should be recorded and they're what Verve stands for, so we don't have to discuss that any further.
I was a pretty good imitator of Roy Acuff, but then I found out they already had a Roy Acuff, so I started singin' like myself.
Me calling out Roy Jones is disrespectful.
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