A Quote by Jon Gordon

I was [ on Thelonious Monk International Saxophone Competition] with Ralph Bowen, and Joel Frahm, Jimmy Greene, John Ellis. You can't play the saxophone better than any of those guys play. So many of those things that those guys could do I wish I could do now, let alone then.
[Winning the Thelonious Monk International Saxophone Competition]definitely opened some doors.
I'm very gratified that I had my little 15 minutes,or whatever [at the Thelonious Monk International Saxophone Competition]. It certainly didn't make me rich and famous. But it helped a little bit for a while.
I think any time you bring those guys in, one with a lot of playoff experience, with rings - those guys won - guys in the locker room gravitate towards those guys. Those guys have been there, so there's a lot that they can teach the guys.
The way I look at the top five, (Rod) Laver, (Roger) Federer, myself, Borg and (Ivan) Lendl. I think those five guys dominated their generations better than anyone. Maybe Roger will dominate better than any one of the other four. Maybe I put Andre (Agassi) as kind of six through 10 with, you know, (John) McEnroe and (Jimmy) Connors, kind of those guys. That's kind of how I see it.
I just want to play like Jimi Hendrix. I love other forms of music and wish I could play classical piano, or saxophone like John Coltrane, but that will never happen. Because my nature is to play electric guitar really well and to emulate my heroes from the late 1960s.
All you have to do is play better than the other guy and things go well. If you don't play better than the other players then somebody takes your place. Now a lot of guys, in this day and time with the transient nature of the sport, as soon as the competition gets too good, they want out.
You play with guys who are big-name guys, and you grow up watching them and it's fun to play with those guys.
I was a huge fan of Bobby Cox, a huge fan of Chipper Jones and John Smoltz. And just those guys, I grew up watching those guys and often wondered early on in my career if I would ever have the chance to play for the Atlanta Braves, and there it was. God kind of answered my prayers.
There's been a lot of legends that I've gotten the opportunity to play against, some to play with. Those guys, sometimes they retire or different things, younger guys come up, they start over them.
There was a lot that was tricky about playing with [Thelonious Monk]. It's a musical language where there's really no lyrics. It's something you feel and you're hearing. It's like an ongoing conversation. You really had to listen to this guy. Cause he could play the strangest tempos, and they could be very in-between tempos on some of those compositions. You really had to listen to his arrangements and the way he would play them. On his solos, you'd really have to listen good in there. You'd have to concentrate on what you were doing as well.
Now there are three guys who directed "Twilight" films that had a gross of a gazillion dollars. All those "Hunger Games" guys, the "Divergent" guys. All those people. When they are looking for the next big director, they see they have a track record. So there's 20 people that spun off of "Twilight" that have more qualifications than any woman.
I am a frustrated saxophone player. If I could, I would abandon all of my books, and I would trade it all if I could play the way people I admire play.
What I meant by that is, any time you have adversity, now you've got a chance to see all of these guys play every game the rest of the way like it's a playoff game. What you want guys to do when there's adversity is to play harder and play better, and that's when you see what kind of guys you have in your locker room.
Real is when you go to training camp. Real is when you finally get the guys in pads. Real is those guys in that locker room setting those goals because we have some guys now that can set goals and expectations for those guys in the locker room because, ultimately, who are the Cleveland Browns but those guys in that locker room.
I have amazing teammates, amazing coaches around me, and all I have to do is go play as hard as I could and play for one another, play for those guys and not look at the scoreboard, not look at the time.
When you play a sax, that saxophone is irreverent. It's noisy; it's a trickster... you cannot hide the saxophone in your hands, so it's a good teacher.
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