A Quote by Jon Hamm
The world keeps moving, the world keeps turning, and people get older, and young people become older and more important and cooler and interesting, and actually staying the same becomes a liability, especially in the advertising industry.
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There's no such thing as turning back the hands of time, and it makes me crazy that we live in a society where that's sold to women—that we're supposed to believe that if we're getting older, we've failed somehow, that we have failed by not staying young. I wish that women would let other women age gracefully and allow them to get older and know that as we get older, we become wiser.
The world should have stopped, but it didn't. The world kept on going. How can the world just keep on going? An earthquake in India kills a thousand people, and the world keeps on going. A famine in China kills a million people, and the world keeps on going. The twin towers of the World Trade Center buckle and fall, and the world, the world keeps on going.
To be a writer you have to be out in the world, you have to risk yourself in the world, you have to be immersed in the world, you have to go out looking for it. This becomes harder as you get older because there's less energy, the days are shorter for older people and it's not so easy to go out and immerse oneself in the world outside.
Technology keeps progressing. Young people follow the curve. But as they get older, they get inertia, and they start deviating from that curve.
When you get older, you have to stay a bit rock n' roll so that young people will still be interested in you. The way you move, the way you talk, maybe the way you have your hair in your face a little bit - this keeps you interesting.
Semiotics is really interested in the questions like, what keeps you watching something, what keeps you - you know, what keeps you listening to a story on the radio? Like, what keeps you turning the pages in a book? What's the pleasure of it that's moving you forward, that's pulling you in and grabbing you and pulling you forward?
The entertainment industry is always targeted at young people. Understandably so, as they are the key consumers. The young are the ones who are falling in love, starting out in life; older people aren't. Nobody thinks, 'Now I'm going to write a film about an older person.'
We do not get to this age to be written off. Older people can act as a support system, which is what happens more in Mediterranean countries. People become much wiser as they get older and we should value that.
I don't know if it's that the scripts are evolving or just that I'm getting older, but the characters become more interesting as you get older because you've lived more life at different stages. You've loved; you've lost; you have more of that journey.
I feel so confident and awesome and sexy when I'm with people who are older than me, and I've always been surrounded by people who are older than me. But to be vital in comedy, you have to exist in a world that's dominated by young people.
I'm always interested in how people, myself included, have ideas of themselves, of how they thought they would be, or of how they want to be seen. And the older you get, the world keeps telling you different things about yourself. And how people either adjust to those things and let go of adolescent notions. Or they dig in deeper.
When you are young, nothing is more important than football, but as you get older, you get married, have kids and lose people. Then you realise your family is more important. This comes with age.
When you are young nothing is more important than football but as you get older, you get married, have kids and lose people. Then you realise your family is more important. This comes with age.
Like most young physicists, when I was a kid enraptured with physics, I thought, "Everything can be explained by the theory of the atom!" But as I've gotten older, and I look at the world, I think there's a lot of ways in which that kind of building up from the smallest building blocks doesn't actually account for the world. As I've gotten older, I've also become sensitive to the ways - to all that is not amenable to explanation. Things that, even if you had an explanation, what good would it be?
In my book tours I get to meet an audience every night. And I see that there are mostly young people, and there are a lot of more men than before, but always young, I don't get older men. As I'm getting older, my audience gets younger!
People think that their world will get smaller as they get older. My experience is just the opposite. Your senses become more acute. You start to blossom.
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