A Quote by Jon Hamm

Being No. 1 on any call sheet is difficult. Being No. 1 on an episodic, hour-long drama is really hard. — © Jon Hamm
Being No. 1 on any call sheet is difficult. Being No. 1 on an episodic, hour-long drama is really hard.
I really had a problem with being 'the man.' I'm past it now, but that was my insecurity. I ran from that. I was cool with being No. 3 on the call sheet or No. 2.
There's the pressure of being a No. 1 on the call sheet, being a lead actor. There's almost this feeling like being captain of the team. You want to put a bit of energy into actually setting a good example.
I come from theater, so I'm used to the hierarchy of an actor is just on the ladder, and above that is a director, and above that is a producer, and above that is a writer. But on a television show or film, the whole call sheet thing and being No. 1 on a call sheet, people look to you and almost expect you to exercise this power for good or bad.
Being gay is a natural normal beautiful variation on being human. Period. End of subject. Therefore, any argument which says differently is an immoral supremacist one. Call it out as such. ... Be outraged, offended, angry and intolerant of any discussion or any one who describes you as unequal, undeserving or unnatural for being just as you are.
Comedy is more difficult than drama. I think it's really difficult to make someone laugh because people have very different comedic sensibilities. In drama, you can get away with being a great actor and surrounded by great actors and having good writing. But in comedy you have to listen and you have to perform with a certain rhythm, because if you don't, it's like playing a wrong note in the orchestra and you can hear the off key and it will fall flat and you won't get that instant response.
My degree was in education, but the idea of being a teacher lost out to being a reporter. I worked at a newspaper for a while, then went to New York and worked in PR at RCA and NBC, and at 'The United States Steel Hour,' a drama series.
The most difficult thing about my job is that I do a lot of 19-hour days. It's really difficult to have a life, never mind a relationship. I don't have any regrets, really. I'm quite content. I'm very stubborn and persistent. I just keep working.
I'm a call-sheet junkie. I love being on set. So, the hardest thing for me is dealing with all this idle time. That's when I get into trouble.
Being introverted, it doesn't mean necessarily being shy or being afraid of public speaking; it just means that it's hard for me to interact with people for too long.
Hour-long TV is no joke. It tests you as a human being. It makes you a stronger person, but it's really crazy.
Being married is amazing. Being married is incredibly difficult. Being married can seem impossibly hard. Being married is incredibly beautiful. Yes, marriage is a fragile blend of all of this and more.
I really wanted to do a comedy. I've done a lot of drama, and comedy was the one genre I was not being offered. So I became obsessive about getting one. I tried with two little parts in comedies that were more mainstream, I was kind of fumbling around, and then I read The Brothers Bloom and knew it was the one I wanted to jump into. Did it take adjusting? Actually, it's not really any different from doing drama.
If you look hard and long, you can find us. If you listen hard and long, you can hear any of us, call any of us that you wish.
When you're making a TV drama, the showrunner is God, and so however onerous and difficult and consuming that responsibility is, you're being treated with respect, so it changes your whole outlook to the production. You're being asked about costumes, set design, music, every aspect of the show.
But then I had long mistaken being spoiled for being strong, being defiant for being independent, being reckless for being brave.
Being singer is different than being an actor, where you call up sources from your own experience that you can apply to whatever Shakespeare drama you're in. But an actor is pretending to be somebody, a singer isn't. And that's the difference. Singers today have to sing songs where there's very little emotion involved. That and the fact that they have to sing hit records from years gone by doesn't leave a lot of room for any kind of intelligent creativity.
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