A Quote by Jon Hamm
I always say I make the movies where people go, 'Hey, I never saw it, but when I finally did, I really liked it.' People saw 'Baby Driver,' though. I was pleased with that.
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At the end of the day, successful box office just means that more people saw what you did and liked it, and that to me is the most important thing. That a lot of people saw it and liked it.
My parents didn't want to believe their son was 200 feet up, free-soloing. They liked to go on long walks and runs, and they would go right by Joe English. Later they'd say, 'Hey, we saw someone climbing up there.' They would describe what they saw, and I'd be wearing the exact same outfit. And I'd say, 'Oh... Nope, wasn't me!'
I think I've had a lot of experience with watching other people shepherd my ideas with the 'Saw' films. They made four 'Saw' movies without me. I never really had a protective or fierce policy towards that. I let it go.
I think it's very touching to see young people interested in what we did a long time ago. They don't say, 'Well, I saw this old film with you.' They say: 'I saw this wonderful film. I really love it.'
When I did 'Baby Got Back,' that was just a reflection of the African-American community. We've always liked curves, and a lot of people misunderstood it because let's face it: 20 years prior to 'Baby Got Back,' the only images you saw of a black woman on television were she was probably 300 pounds and cleaning the house with a rag on her head.
I wasn't trying to be different; I just did what I liked. Don't misunderstand when I say I really had no particular DP I was aspiring to be. I really fell in love with the movies as I was growing up, and I must say, I was emulating things that I saw others doing, that’s how you learn, but you soon have to push past that, and do things that you feel are right… or better.
People will come up to me everywhere and say, 'Ah, I saw you on 'Larry King,' and, 'Ah, I saw you on 'Oprah.' And it's really nice, and a lot of people say, 'Is it a pain?' And I say 'No.' And it's not annoying.
People will come up to me everywhere and say, 'Ah, I saw you on 'Larry King,'' and, 'Ah, I saw you on 'Oprah.'' And it's really nice, and a lot of people say, 'Is it a pain?' And I say 'No.' And it's not annoying.
I got up and saw my face in the mirror and saw the horror. When they did the surgery on me, they took out 67 glass pieces. There were a lot of movies that I had lined up for myself during that time, and I had to let it go. I didn't want people to know because, at that time, people were not that supportive.
As I got older, I discovered that nothing within me cried out for a baby. My womb did not seem to have come equipped with that famously ticking clock. Unlike so many of my friends, I did not ache with longing whenever I saw an infant. (Though I did ache with longing, it is true, whenever I saw a good used-book shop)
I think what 'Saw' did was really open up a huge branch of lots of these other movies that ultimately retroactively gave the first 'Saw' somewhat of a negative reputation.
Sometimes people are like, 'Hey, you played Dean Thomas!' and I'm like, 'Wow, you actually know!' It kind of shocks me because when I think about movies I love, and if I saw someone who essentially did what I did in Harry Potter, I probably wouldn't recognize them walking down the street.
I read "Milk" and immediately I was very emotional after reading it and then I saw the documentary - the one that Rob Epstein did - and I said that's it. I saw it with my daughter and that was it. This thing is a different thing. It's like I've been offered these kind of superhero movies or "Terminator" or whatever those movies are and I just go ahh.
Turgenev saw human beings as individuals always endowed with consciousness, character, feelings, and moral strengths and weaknesses; Marx saw them always as snowflakes in an avalanche, as instances of general forces, as not yet fully human because utterly conditioned by their circumstances. Where Turgenev saw men, Marx saw classes of men; where Turgenev saw people, Marx saw the People. These two ways of looking at the world persist into our own time and profoundly affect, for better or for worse, the solutions we propose to our social problems.
The first time I got on stage I was 10 years old and I did impressions. I did cartoon characters and I really got the bug for this life when I saw that people were laughing and saw the attention I was getting.
Oftentimes people say to me, 'Oh I didn't know you could do so much with locs until I saw your videos or I saw photos of you at events.' So whenever I hear that people have been really inspired to experiment with their hair or their look because of me, it's very flattering and really cool.
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