A Quote by Jon Hamm
If you're the handsome white guy, you tend to get cast as guys who are meant to be convincing in their jobs. What I've been fortunate enough to do, whether it's playing a certified idiot on '30 Rock' or a weirdo in 'Bridesmaids,' is play against that in a lot of ways.
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I've played with all of the heavyweights in the modern jazz, progressive jazz movement. I've been fortunate enough to play with them, a who's who. All of those guys, I've been fortunate enough to have performed with.
Yeah, I was ready for the NBA. Because I went through a lot of things back overseas. And you know, playing professionally from a young age and then playing against the older guys - guys over 30; older, talented guys - was really tough, but it also helped my game grow and just get me ready for the NBA.
'The Inbetweeners' would have been a success with a totally different cast because the scripts are good - so while we were fortunate enough to be cast in it, we feel we still have a lot to prove.
What kid doesn't want to play in MSG? I've been fortunate enough to play there many, many times during my basketball career. Every chance I get to play there, I try to embrace it. I just love playing there.
I got to playing villains-I don't know how. I think it's like anything else, in the movies in particular that if you establish yourself as something and you're lucky enough to keep getting hired. You know, there are guys who play the guy who gets the girl, guys who are the best friend of that guy, there's the funny guy, the villain.
I much prefer playing the bad guys. I think they are always the most interesting characters. I liken it to painting: if you're playing the good guy, you get three colors: red, white and blue. But if you're the bad guy, you get the whole palette.
The success I had as a player, or the career I had as a player, is often based on the guys you play beside, the guys you play with. Playing on the offensive line, you're only as good as your weakest guy up front. I was blessed to play with a lot of guys for a long time.
Bald guys have been playing the bad guy for a long time, whether it's pirates, thieves, murderers, or whatnot, so the deck is a little bit stacked against you in that regard.
I don't get recognized that much. That's the best part of it. I tend to get things like, 'You sound a lot like that guy on 'Deadwood.' And that's lovely. I've been very fortunate. No giggling, screaming girls. None of that.
I certainly have never been an actor who can play the Everyman guy - or, I don't tend to get those parts. I've tended to play eccentrics. I've played a lot of villains, of course.
A lot of guys in New York will only play with an edge. They find their groove and that's their groove. to me, once I do that, there's no point in playing anymore because it should always be a mystery. Depending on who you are playing with, there are hundreds of ways of playing. I think that a master can play all those different kinds of time.
When you're playing in the NFL, you can only do this for a short amount of time. Guys retire before they're 30. If you play forever, you play into your 40s - and you're still a young man with a lot of life left to live.
There's been a lot of legends that I've gotten the opportunity to play against, some to play with. Those guys, sometimes they retire or different things, younger guys come up, they start over them.
There's always a spattering of people who see Hanson who were influenced by classic '60's and '70's rock and roll. In a lot of ways, we're sort of the anatomy of a '70's rock band if you examine what we do: white guys who grew up listening to soul music from the '50's and '60's.
I was interested in a whole range of music that I used to play, popular music -- particularly American music -- that I heard a lot of when I was a teenager," "I think at a certain point it dawned on me that myself playing this music wasn't very convincing. It was more convincing when we played music that came from our own stock of tradition. ... I certainly feel a lot more comfortable playing so-called Celtic music.
The problem is Silicon Valley, which is an amazing ecosystem, also ends up being an amazing bubble, with white guys talking to white guys about white-guy problems. So it's great, but you kind of miss a lot of things around you.
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