A Quote by Jon Hamm
I came in the Dawson's Creek era; it was all about tiny guys who looked like teenagers, and I haven't looked like a teenager ever. So I was, like, auditioning to be their dads. At 25.
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I pictured a girl who made every moment, everything she touched, and everyone around her feel lighter and sweeter. “I pictured you,” he said. “I just didn’t know what you looked like. “And then, when I did know what you looked like, you looked like the girl who was all those things. You looked like the girl I loved.
My first job was with 'Dawson's Creek' where everybody looked good and they spoke better than you. It was kind of a wish fulfillment, fantasy-type show.
Once 9/11 happened, people who looked like me and whose children looked like us and whose husbands looked of a community, really were made to feel quite the other, and I thought that was impossible in a city like New York but I myself was witness to that.
The first movie I ever saw was a blaxploitation movie. It was called 'Monkey Hustle.' Like I said, just listen to the name. That's a blaxploitation movie. It had these incredible, bigger-than-life images of people who looked like I did. Or who looked like I wanted to look like.
In my childhood everything you heard, you could imagine what it looked like. Even singers that I would hear on the radio, I couldn't see what they looked like, so I imagined what they looked like. What they were wearing. What their movements were. Gene Vincent? When I first pictured him, he was a tall, lanky blond-haired guy.
The thing to know about my brother was that even though he was fifteen, he looked to be about the same age as me. Only, I'm not sure if that was because he looked older or I looked younger. I like to think it was a healthy mixture of both.
The candidates at the Republican debate looked like a town council that was outlawing dancing. They looked like a board of directors that was lying about poisoning a river.
Scoring, that's my thing... Didier Drogba, Samuel Eto'o, those were the guys that we looked at as kids like, 'Man, they're doing it, and they're doing it at a high level.' We would see them on TV. So, it wasn't much about basketball, to be honest, it was just those type of athletes. Those guys were the guys that we looked at as kids.
Together, we looked down at the tiny house, the sole thing on this vast, flat surface. Like the only person living on the moon. It could be either lonely or peaceful, depending on how you looked at it. "It's a start," I said.
I just did what I did in my era, basically because of my admiration for the guys who came before me. That's how I've always looked at it. I never thought of boxing like, I'm going to be the greatest fighter ever and make a lot of money. Instead, I thought I was going to win because I learned from the best. I carefully studied the videotapes of all the fighters from the past, dissected their styles, and entered the ring with their spirit.
As I got closer it looked like a weather balloon, gray and about three feet in diameter. But as soon as I got behind the darn thing it didn't look like a balloon anymore. It looked like a saucer, a disk.
It was quite impossible to describe. Here is what it looked like. It looked like a piano sounds shortly after being dropped down a well. It tasted yellow, and it felt Paisley. It smelled like the total eclipse of the moon.
After 'Freaks and Geeks,' I dealt with several producers who wanted to cover up all my beauty marks, every single mole on my body. They tried to cover them on my first two episodes of 'Dawson's Creek,' and it just looked ridiculous, so I had to put my foot down. But it's not something I'm insecure about.
I've always looked at guys who I've admired, like John Williams and Lalo Schifrin and Max Steiner, and looked at the choices they made and always try to take a cue from that.
I used to put on spray tan, like, three times a day, and it just looked like there was a terrible accident in my bed at all times... it looked like a crime scene.
I mean I feel like we've shot all these different movies. Like the first 2 weeks of shooting was all Steve Stills apartment and band rehearsal, you know? And so it was like this tiny little group of people and small set comparatively and it just looked like a Toronto apartment. And then we sort of kept ramping up further and further until now we're here in this giant like craziest set I've ever seen with LCD crazy lights that go....you know?
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