A Quote by Jon Hopkins

No, I'm a quite big believer in not being in the studio if I don't feel like being in there. — © Jon Hopkins
No, I'm a quite big believer in not being in the studio if I don't feel like being in there.
If I have a song that I feel is really one of my best songs, I like it to have a formal studio recording because I believe that something being officially released on a studio record gives it a certain authority that it doesn't quite have if it comes out on a live album or is just a part of your show, you know.
I'm a big believer in evolution, growth, and in being the best you that you can be, and I feel like the first step to doing that is getting mentally healthy.
I don't think of myself as being troubled as a human being, but I guess I'm quite extreme, quite big and quite loud, and maybe people pick up on that when they cast me. I'm certainly not the quiet reflective type.
I'm a big believer in rehearsal and a big believer in the actors being able to find the material themselves and identify with the beats themselves without us having to stick to the actual language of the script, just for them to understand what each scene is about.
I dont think of myself as being troubled as a human being, but I guess Im quite extreme, quite big and quite loud, and maybe people pick up on that when they cast me. Im certainly not the quiet reflective type.
Art is my 'solo career' if you like. Musically, as a bass player, I depend on other musicians to play, whereas, with painting, I'm on my own. I find it quite easy to switch heads and I enjoy both the mayhem of being on tour and the serenity of being alone in my art studio.
I'm really a believer in being in situations that feel new and awkward and different. And I love that feeling of being in motion - that sense you find when you're traveling.
I'm a big believer in trying to challenge yourself to step outside of your comfort zone and try new things. I was petrified of sharks in the ocean so I got certified in scuba because I don't like settling for being afraid of things and being uncomfortable with things.
What I've learned in my life, it's a very interesting social study for me, to go back and forth between being the guy at home and being the guy on the road and being the guy in studio and being the guy in the interview. The environment around you has so much to do with your character, and when I'm home, my character really changes quite a bit.
I think there is a big and significant difference between being a leader and being a manager-leaders lead from the heart. You have to be analytical and flexible. Flexibility is one of the key ingredients to being successful. If you feel like it's difficult to change, you will probably have a harder time succeeding.
The people, the culture... there's so much magic in Colombia, so I feel like being a kid, being able to have that, being able to also call Colombia my home, it was such an important part of my introduction as an artist, too, because it's such a big part of my life as a human being.
Cavalli is all about being a strong woman - being sexy and powerful. Which is how we'd like to feel, all of the time! The clothes are very strong and sexy - quite Amazonian. And you feel like that yourself when you're wearing the clothes.
I'm a big believer of daylight in the studio.
Performing is really close to being in studio but performing takes over because being in the studio is two things; the first thing is that it is really beautiful to improvise and jam, but afterwards it becomes hard because it's very rare that a song will come together quickly. Most of the time it's back and forth and trial and error. You start questioning whether the song is good or not. So that can be quite tough.
There's a ceiling when it comes to genetics. I'm a huge believer in the mind. I feel like anticipation is a key to the success of the game and I feel that's where I thrive. Being able to anticipate, prepare and live in the details of the game.
I really like to be alone. It's nearly like being naked in the studio, and if someone were to walk in, that wouldn't feel good.
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