A Quote by Jon Hopkins
I'm more akin to things like Sigur Ros, Mogwai, possibly. But when I'm making solo electronic music, techno stuff is just the most exciting form of rhythm.
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My favorite all-time artist... I would say, I think that must be Sigur Ros, I love that band. It's like going to the stars for me. When I put the music from Jonsi or Sigur Ros on, it's so relaxing, it's warm and it never gets boring to listen to, you always hear new things. Yeah, that must be my favorite band.
Sigur Ros make beautiful music. Bloc Party are fantastic and exciting and innovative.
In some ways it's hard to see electronic music as a genre because the word "electronic" just refers to how it's made. Hip-hop is electronic music. Most reggae is electronic. Pop is electronic. House music, techno, all these sorts of ostensibly disparate genres are sort of being created with the same equipment.
I had, like, four Sigur Ros records on my playlist when I was in labor.
America and Europe are getting closer to each other. In the U.S. you've always had hip - hop, the blues, soul, and rock. For the last decade, there has always been a lot of electronic music in Europe. When I was just at Coachella, I noticed how the music they play there has become electronic, techno, deep house, more European - so I think it's more similar than before.
I have truly eclectic taste in music, and I seem to cycle through phases in terms of to what's inspiring me. I'll go from Beethoven to Sigur Ros; world music, Brit-pop, classic rock, blues/jazz, even the odd bit of heavy metal.
I really don't. I have truly eclectic taste in music and I seem to cycle through phases in terms of to what's inspiring me. I'll go from Beethoven to Sigur Ros; World Music, Brit-pop, Classic Rock, Blues/Jazz, even the odd bit of Heavy metal.
When I was in London I found house music and techno, and I love that s - t. It's my go-to music. It's the closest for me to the old funk of James Brown and the repetitive dance music that I like from the soul music. I'd love to do a live album, like a little bit old school but still progressive, influenced maybe by more electronic music. I like everything, but I don't know anything about music. So it comes in to a lot of different ingredients.
Whether I'm writing solo stuff, electronic stuff, or material for Motley, I just write to write. I come up with it and put things in different piles.
I'm trying to fly the flag for the days of electronic music where people who are making it are also building the gear because that was what was happening in the very early days of electronic music. And that spirit is one of the things that really appeals to me about electronic music so I'm putting this forward as a way to keep that.
The place of electronic music, culturally and socially, is today completely different - it is now everywhere, and it has been totally accepted. Consequently, there is now a younger generation that is more focused on making great electronic music, good parties, and having fun, where there is not any more so much need for cultural and ideological statements in electronic music itself.
I did dance music for a short period of time but I felt like the fruit for me was in the outer dance world so I stopped doing overt techno and I think, in terms of rhythm, I enjoy things that feel like they're falling off, like they're just barely holding on.
I really do think VR is now one of the most exciting things that can be done in this whole sector of consumer electronic entertainment stuff.
I think as this generation of electronic musicians goes on, popular electronic music will be more and more accepted. It's gonna get less confusing. You know, most people called rap stupid when it started, and it was one of the most innovative music forms of its time.
My first album was more about me making a statement, as I felt like I was kind of stuck in the smaller scene of underground House and Techno when the music I produce actually spanned a much wider range of genres, including the more Pop/Trip Hop stuff and more song-based compositions. Comfort was to kind of show that I wasn't just about one thing. Working on Take Flight was my chance to step back and merge the many worlds of music I enjoy working in and showcase it all through a journey of 24 tracks.
I would just like to say that Ritchie Blackmore did a bunch of great stuff guitar - wise. I'm happy to play the solo from 'Highway Star'. I always thought it was one of the most exciting guitar solos I'd ever played.
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