A Quote by Jon Hopkins
It sounds a bit pretentious, but I'm never really conscious of what I'm doing musically.
Related Quotes
Maybe that sounds a bit pretentious, but I think life experience is always more important than technical knowledge.
It all comes down to what you truly love doing, and what I love doing is overdubbing and making new sounds out of things that are sometimes quite ordinary on their own, but when you put them together, they make something new--or something that sounds new. Just discovering things like that musically is a pleasure.
I think the problem with the term graphic novel is it sounds pompous, it sounds pretentious, whereas on the continent, they call it an album, which to me sounds, it's got more much of a connotation of a kind of a music single and an album collection.
I may never get my own action figure, but at least I think what I'm doing is really legitimate musically
I may never get my own action figure, but at least I think what I'm doing is really legitimate musically.
I think the "dawning of a new era" sounds a bit pretentious, and to me it's simply a step closer to my roots, and thus yes - I do feel liberated by this. I know many dislike this move, and I suspect that it is not really the dawning of a new era, but rather a move to a style which sells less records
Elton John himself never seems pretentious but Bernie Taupin's lyrics often do - sometimes pretentious in a clever sort of way, but pretentious nonetheless. There is a conflict between Elton's and Bernie's personal styles, no doubt about it.
The goal with my music is to maintain a certain honesty and quality. That sounds pretty pretentious as if I'm trying to imply no one else is doing this - I don't believe that. I merely mean to say that what everyone else is doing easily, that is to say, creating without impediment - is sort of difficult for me.
When I'm offstage, I never feel famous. I will never let anybody call a restaurant and say, "We're with Kenny Chesney. Can you get us in?" That's so pretentious. I'm pretty simple except for the fact that I have a really great boat and a little bit of money. When I'm offstage I don't feel like the person everybody sees.
So in that way, fame has become a weirder thing to go after, but the thing about me is I've never been after fame. That sounds cliché, but it's true. I think fame sounds uncomfortable to me, but being able to like write this book and make my living doing very exciting, creative stuff sounds really amazing. It has been really amazing.
It takes a while for a photograph to mature. That sounds really pretentious, but it takes a time for it to go from here to there.
I grew up kind of poor, so like, I know it sounds pretentious, but I don't really know how to spend money.
When the writing is really working, I think there is something like dreaming going on. I don't know how to draw the line between the conscious management of what you're doing and this state. . . . I would say that it's related to daydreaming. When I feel really engaged with a passage, I become so lost in it that I'm unaware of my real surroundings, totally involved in the pictures and sounds that that passage evokes.
I started doing 'figures', then, one day, all of a sudden, I started doing abstraction. And then I started doing both. But it was never really a conscious decision. It was simply a question of desire. In fact, I really prefer making figurative work, but the figure is difficult. So to work around the difficulty I take a break and paint abstractly. Which I really like, by the way, because it allows me to make beautiful paintings.
No, we'll never get back together. We'll remain friends, but I see her going in a completely different direction than me musically. But she'll end up doing really well if she continues on the path she's on. Because she's doing something very original.
Early on, I said to myself that I would like to write a kind of moral and spiritual history of a place. It sounds a little pretentious, I know. But that's really what I set for myself.
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