A Quote by Jon Kabat-Zinn
Acknowledging that sometimes, often at very crucial times, you really have no idea where you are going or even where the path lies. A the same time, you can very well know something about where you are now (even if it is knowing that you are lost, confused, enraged or without hope).
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I think that human beings, even the ones who are sometimes hurting you, are often very, very confused at their center. Even people who are doing things that are nefarious - it's often out of confusion. I know that it's tough to be a human whether you're good or bad. I'm acutely aware of that. If that comes through, then I'm really grateful.
There is something very unstabilizing about not knowing where you're coming from or where you're going. There's something very romantic about it, because you have this search for the unknown. But at the same time, sometimes I'm like, "God, if I were to die tomorrow, where would I like to be buried?" I wouldn't know. That's kind of a heavy thought, but it's a fact. You don't know anymore where you belong.
When you're lost in those woods, it sometimes takes you a while to realize that you are lost. For the longest time, you can convince yourself that you've just wandered off the path, that you'll find your way back to the trailhead any moment now. Then night falls again and again, and you still have no idea where you are, and it's time to admit that you have bewildered yourself so far off the path that you don't even know from which direction the sun rises anymore.
Friendship is anything that you get something out of that is very, very important to you. And that's why there are those people who are so close to you that you don't know how you'd live without them. And they are the ones that, even if they do something terrible, you have to keep. Otherwise, you're just going to be lost without them.
I think that human beings, even the ones who are sometimes hurting you, are often very, very confused at their center.
I'm not trying to imply I can keep up this silent, isolated facade all the time. Sometimes the wall I've erected around me comes crumbling down. It doesn't happen very often, but sometimes, before I even realize what's going on, there I am--naked and defenseless and totally confused. At times like that I always feel an omen calling out to me, like a dark, omnipresent pool of water. ~page 10
Adults don't know how to respect and really love their young ones. Often love is confused with possession. You say "this is my" about your child, without taking into account that you're dealing with a real person with his/her own personality, rights, and autonomy, even when very young.
It seems to me that [my films] are talking about very simple and, I hope, universal feelings. And at the same time, even though they are set in a very weird world with elements that are irrational, at the same time, it's very close to an ordinary world. And I like to have this third feeling of mystery.
The fact that there's a more open discussion about everything from feminism to racism?...?I look at my two boys?...?this is their future I'm talking about. When I'll be long gone, it'll be them and their kids. I know that sometimes the darkest times are followed by the lightest. Sometimes bad things have to happen for good things to happen. At the very worst, we're having very open discussions, discussions about things we didn't even know f-king existed. I talk to my friends about it and they are absolutely shocked. They didn't even know.
It's a very tricky job we have as DPs, where you are expected to make something that really is an emotional art but also needs to be technically spot on. You're often given a very small window of time to achieve it. People sometimes expect it to be even quicker and forget that there's a schedule for a reason.
Why has marriage failed? In the first place, we raised it to unnatural standards. We tried to make it something permanent, something sacred, without knowing even the abc of sacredness, without knowing anything about the eternal. Our intentions were good but our understanding was very small, almost negligible. So instead of marriage becoming something of a heaven, it has become a hell. Instead of becoming sacred, it has fallen even below profanity.
You have to understand that people feel threatened by a writer. It's very curious. He knows something they don't know. He knows how to write, and that's a subtle, disturbing quality he has. Some directors without even knowing it, resent the writer in the same way Bob Hope might resent the fact he ain't funny without twelve guys writing the jokes. The director knows the script he is carrying around on the set every day was written by someone, and that's just not something that all directors easily digest.
To me, when one is writing sometimes about a very specific subject with very specific people, I feel like if that story doesn't cross over, it's not working. That's very beautiful to me, to be sitting in Berlin and there's an actor reading my book in German. I don't even know what's going on, except I know to feel my own rhythms in another language and say, "If this is going well, I think everyone should laugh around now." Then maybe there's laughter, and for me, it reminds me of how story can move around the world.
Hope. People want hope. We crave hope. We long for hope. Hope has been present since the very beginning. And almost in the worst situations of human history, you often find the greatest amount of hope. The very nature of the situation, the way stepped-on people created within them even more hope than when things were going fine. Hope has always been around.
People can say whatever they want about you without knowing the facts. They can criticize you without even knowing you, and hate you when they don't even know you. All of a sudden, you're, like, the bin Laden of America. Osama bin Laden is the only one who knows exactly what I'm going through.
The Jemaine [Clement] and Taika works is a very long and slow machine - we put an idea in one end, and it takes about six years to come out the other end. And sometimes it doesn't even come out. And sometimes it comes out as a different idea. So we've out the idea of We're Wolves into the machine, and it's now slowly going through the sausage maker.
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