A Quote by Jon Kabat-Zinn
I was very much a tough New York street kid. I went to a school where you had to learn how to get along with everybody or fight with everybody, and I did my fair share of both.
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I was very much a tough New York street kid. I went to a school where you had to learn how to get along with everybody or fight with everybody, and I did my fair share of both. But you have to learn how to get along. I did an awful lot of fighting. I was tough, but I'm also relatively small, so I learned very early on to use my mind.
I think everybody has tragedy in their life. Everybody has hurdles in their life. Everybody has tough things to overcome. My kids say to me, 'This isn't fair.' I said, 'Life isn't fair.' Everybody has their issues. It's how you handle your issues that distinguishes you.
I just got back from New York, and I realized in New York, it's very difficult to hear a New York accent. It's almost impossible, actually - everybody seems to speak like they're from the Valley or something. When I grew up, you could tell what street in Dublin someone's from by the way they talked.
If I played a tough kid on the street I couldn't go out there and get into fifth position. I had to dance like a tough kid on the street.
I believe that the free enterprise system is the greatest engine of prosperity the world's ever known. I believe in self-reliance and individual initiative and risk-takers being rewarded. But I also believe that everybody should have a fair shot and everybody should do their fair share and everybody should play by the same rules, because that's how our economy's grown. That's how we built the world's greatest middle class.
I was a writer for 'New York' magazine. I had been to business school, but what did I know? Still, everybody from the receptionists on up to the editor would ask me what they should do with their money.
I did theatre a lot when I was a kid. Then I went to acting school in New York. I did a lot of behind the scenes in college. I wanted to learn while I had the time. I studied theatre and film in different capacities.
When you learn to get along with yourself, you will know how to get along with everybody.
I am drawn to those parts; I like the tough girls because they are not tough. It's a veil; it's a disguise. It's defenses. At the core, everybody is human, everybody is fragile, everybody is terrified, and the fear is what propels you to be tough.
Mental toughness is a lifestyle. It's something that you live every single day of your life. When I was growing up, I was a lazy kid. I was a lazy kid, and everybody goes, 'How did you get to where you're at today? How did you get to where you're running 200 miles at one time in 39 hours? Being so disciplined?'
Nobody ever said, "Well if you want to be in movies, you should go to L.A." Everybody else was going to New York. So I went to New York with them. And then I was like, "How am I supposed to get a movie?"
I went to high school in Indianapolis I learned how to walk around looking tough because everybody had to do that. I go out there occasionally and they're still doing it, walking around looking very tough because something might happen.
My first fight in Hamilton was against Rocky Thompson. Everybody was saying, 'Be careful, he can punch with both hands.' I'm saying, 'Look how skinny he is.' I was cocky. But he beat me. After that fight I said to myself, man, this is going to be a tough job.
I was bullied from grade one to six. Even middle school was tough for me. Everyone had these pre-existing friendships, and I was the new kid, who was acting, so that didn't help much either. It was really tough.
I did not support any more New York. I lived 10 years there, and after September 11, I felt very European. I did not share the opinion of people in the street, who were deeply influenced by what they heard in the media.
The last Company Flow reunion show in New York City was pretty insane. Everybody knew all the words to every song; everybody had smiles on their faces. Those shows are what you hope for every time you get on the stage.
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