A Quote by Jon Kleinberg

When you’re doing stuff online, you should behave as if you’re doing it in public – because increasingly, it is. — © Jon Kleinberg
When you’re doing stuff online, you should behave as if you’re doing it in public – because increasingly, it is.
If you're doing a prison show, HBO is the absolute best place in the world to be doing that because you're not going to have to do all that, you know, 'Prison Break' stuff where you can't really behave and speak like people do in a maximum-security prison.
That was very flattering, meeting Steve Vai and hearing his stuff, because he was kind of a fan, even though we kind of dumbed down what he was doing and what people were doing in the '80s. We weren't doing solos; we were doing sounds and all this creepy, trippy stuff.
The federal government seeks to control and regulate the Internet, but the last thing this Congress should be doing is trying to stifle public debate online.
Our live set's become increasingly complex recently; we've been doing stuff that's been vastly too much information for most people to deal with and I think it's quite interesting watching how people behave in those situations, under those circumstances.
The internet seems to be what a lot of independent bands are doing these days. They're bypassing the studio - the big studios, EMI and all the record companies - and just doing it themselves, online, selling their stuff, getting known through that medium.
I enjoy doing these silly little videos, and a lot of stuff online is stuff I actually created for my live comedy shows.
But we acted pre-emptively in Kosovo in 1999 to stop Milosevic from doing what he was doing and increasingly doing the ethnic cleansing in a systematic way.
Doing stuff that I don't have to talk about because I'm not in a public company is fantastic.
Disney's clearly in the business of doing giant tent pole movies based on properties that they own. And that's what they should be doing because they're great at doing that.
My agent in London told me, after Never Let Me Go, because I loved doing that so much, "If you're on a lucky streak and you're doing well, you should only take a part, if you can't bear the idea of anyone else doing it." That's been the case since then, with Drive and Shame and the play (The Seagull), and the stuff that's going on, like Gatsby. I would have been devastated, if I hadn't gotten those jobs.
Besides film, I'd like to be the young Regis. That would be great. Going back and forth from L.A. to New York. Doing stuff on food. Doing stuff on kids. Just talking about issues that are relevant. Doing things on the Olympic Games.
Put glibly: In science if you know what you are doing you should not be doing it. In engineering if you do not know what you are doing you should not be doing it. Of course, you seldom, if ever, see either pure state.
I like more streetwear and baggier stuff. I like what Off-White is doing, I like what Fear of God is doing. There's a brand called FourTwoFour out of L.A. that's doing a lot of good stuff too.
I grew up doing all that stuff because I was obsessed with the '50s. I had sock hops for birthday parties. So I've always done The Twist and stuff. It was pretty natural and, with my parents doing it all the time, I'd just copy them. Not very pretty.
I like doing stuff that is sad or angry. It's a challenge, because you're doing a mix of scenes and you're making a person.
A lot of people are doing television now. Great, legendary actors are doing movies on cable and stuff now, and you can't blame them, because they're still doing adult dramas and adult comedies on those stations.
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