A Quote by Jon Krakauer

Almost every magazine piece I've ever written, I felt like I haven't done it justice, like it was just a gloss. — © Jon Krakauer
Almost every magazine piece I've ever written, I felt like I haven't done it justice, like it was just a gloss.
I almost never write because I want something from my audience. Almost everything I've ever written, I've written because I feel like I have to write this or I'll die. Like, this has to come out of me.
There was a great magazine in the '80s called 'Cinemagic' for home moviemakers who liked to do monster and special effects movies. It was like a magazine written just for me.
What I do is creative. It doesn't seem like that when I'm playing a piece that was written in the past, but the score is just the outline and everything in it is relative. The key is to make this piece written by someone else belong to you and then connect to the audience.
I haven't felt like I ever had a chance to blossom into the player and the person I want to be in Orlando. It's almost like I've been held down every time.
My latest decorating obsession is dipping - like painting the bottom of things. I've done it to almost every terra-cotta pot in my house. Every African vase I have is painted gold on the bottom. It's so fun and easy, and it instantly livens up a piece. You feel like you've really accomplished something.
I felt like I could get away with calling it Black Hours. That could easily be the most depressing record ever written, but because there is this sense of fun throughout the whole thing I felt like I could get away with it. Like "5 A.M."; that song's in a minor key and I'm just wailing away and it could have been just wallowing depression, but it's not.
I've never approached classical music in a formal way, ever. I couldn't read very well. I'd have to play every piece and internalize it, almost as if I had written it myself.
For so long, it was just my secret. It burned inside me, and I felt like I was carrying something important, something that made me who I was and made me different from everybody else. I took it with me everywhere, and there was never a moment when I wasn't aware of it. It was like I was totally awake, like I could feel every nerve ending in my body. Sometimes my skin would almost hurt from the force of it, that's how strong it was. Like my whole body was buzzing or something. I felt almost, I don't know, noble, like a medieval knight or something, carrying this secret love around with me.
It was almost like being a child again because you felt like you were in your bedroom and it almost felt like no one was really watching you. So, you were just kind of having a bit of fun on your own doing silly voices in the bedroom.
I never felt like a happy-go-lucky ingenue to begin with. And parts are written better when you're older. When you're young, you're written to be an ingenue, and you're written to be a quality. You're actually not written to be a person, you're written for your youth to inspire someone else, usually a man. So I find it just much more liberating.
The Globes are voted for by anyone in L.A. who's ever written for a foreign newspaper or magazine. That means, like, Romanian cookery writers.
I think a lot of games in Oakland were just time being wasted, for a lack of a better phrase. I felt like I would play in some games that were four quarters, just like every other game, but it didn't feel like I was doing anything. It just felt like I was out there.
When I was a kid, brown rice felt like punishment. Like the ever-increasing amount of whole wheat flour that would appear in my mom's pancakes and waffles, brown rice with dinner felt like we had done something really wrong.
Interaction with fans is super important to me. I have the best fans ever. They're always the most creatively charged people. I've saved every single piece of fan mail that I've ever gotten. We have an archive of it and stuff. I think if I can inspire that, then it's like my job is done.
No martyr ever went the way of duty, and felt the shadow of death upon it. The shadow of death is darkest in the valley, which men walk in easily, and is never felt at all on a steep place, like Calvary. Truth is everlasting, and so is every lover of it; and so he feels himself almost always.
Now that I'm older, I like almost anything that's done well, even surf music and instrumentals; I really enjoyed the interviews with the Ventures in your magazine.
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