A Quote by Jon Krakauer
As I point out in the very first pages of 'Into the Wild,' I approached this book not as a normal, you know, unbiased journalist.
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I was a journalist. I was a drummer. I was everything. I didn't know what the heck I was. But with Jack Paar, the job was very specific - no confusion. You came in each day. You wrote five pages of jokes. You handed the pages in... The pressure was to write five pages of jokes every day. I did it, and I thought, 'This is what I like to do.'
I might spend 100 pages trying to get to know the world I'm writing about: its contours, who are my main characters, what are their relationships to each other, and just trying to get a sense of what and who this book is about. Usually around that point of 100 pages, I start to feel like I'm lost, I have too much material, it's time to start making some choices. It's typically at that point that I sit down and try to make a formal outline and winnow out what's not working and what I'm most interested in, where the story seems to be going.
There is a difference between a book of two hundred pages from the very beginning, and a book of two hundred pages which is the result of an original eight hundred pages. The six hundred are there. Only you don't see them.
With foster care, you have to remain unbiased, which is one of the huge challenges of it because you get to know the kids and if you care about the kids, it's really hard to present yourself as unbiased. But you're supposed to really be an unbiased party.
I have to get three pages done every day, and there's usually a point about 150 pages in where everything falls apart, where all the plans are for naught. The book has become something else, and I have a nervous breakdown, and then I submit to what the book has become, and I keep going, and that's a terrible and then a great time.
I start a book and I want to make it perfect, want it to turn every color, want it to be the world. Ten pages in, I've already blown it, limited it, made it less, marred it. That's very discouraging. I hate the book at that point.
What am I unbiased about? Let's see. I don't think about being unbiased, at all. With the entertainment industry, there was a point at which I felt like I had to be not only pro-myself but anti-others.
The job of the first eight pages is not to have the reader want to throw the book at the wall, during the first eight pages.
A journalist is supposed to present an unbiased portrait of an event, a view devoid of intimate emotions. This is impossible, of course. The framing of an image, by its very composition, represents a choice. The photographer chooses what to show and what to exclude.
I'm incredibly restless. I read a lot of poetry. I also find myself reading the first 20 pages of everything, looking for something. And you know what? I'm usually looking for the book I'm writing. And it's not out there!
I'd love to do a book with scratch n' sniff pages and pieces of string and plastic attached to the pages, you know?
A lot of people say I tried to emulate Tupac, but when I look back at my career, we're very different artists. I took pages out of Pac's book, of course, and lots of other rappers - Biggie, Nas - of course you take pages out of those books, but you eventually make it your own thing. And I think I did a good job of that.
I'm a journalist, not an advocate, so I approached researching and writing the book the same way that I do any other reporting. But when you're writing for yourself, you have a little more room to say what you think.
It felt like the first thing, but when I first started out, I got a job adapting a book by Russell Banks called 'Rule Of The Bone.' I didn't do a very good job. I didn't really know what I was doing in general, let alone how to adapt a book.
There's something very strange about associating me with that prize. I had hoped for it in a more directed way as a journalist. Somehow as a journalist you know there are Pulitzers out there and you can work hard and get one. To win it for Fiction seems unbelievable.
[as for evolution]....cutting out the sections [on the subject] is preferrable if the portions are not thick enough to cause damage to the spine of the book as it is opened and closed in normal use. When the sections needing correction are too thick, paste the pages together being careful not to smear portions of the book not intended for correction.
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