A Quote by Jon Krakauer
I've had a lot of crappy jobs, but one of my favorites was working as a commercial fisherman in Alaska. What I loved about it was, you got paid for what you caught.
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I had a series of jobs in the small fishing village in West Wales where my family lived when I was a teenager. I worked as a fisherman in the day, and then the skipper and his wife ran a small restaurant - she'd cook the fish he caught.
My loss to Marquardt was just one of those things. I made a mistake and got caught. I think I had a lot more to offer in that fight, but he caught me before I had a chance to show it.
My stories are Alaska stories, and they need to be told in Alaska. Evergreen Films is located in Alaska; the company does amazing work, and I am thrilled at the prospect of working together.
Before breaking into music, I had various jobs: forklift driver, driving a courier. But I was forced into working rather than doing it off my own bat because that was my dad's way: you got a job and paid your way.
I think being a writer was a crappy job when you just had typewriters. It was crappy when we just had ink and paper. And it's sort of crappy now. It's always just you and the page. That doesn't change.
Death is like a fisherman, who, having caught a fish in his net, leaves it in the water for a time; the fish continues to swim about, but all the while the net is round it, and the fisherman will snatch it out in his own good time.
After I graduated in Vancouver, I had been working on a book about war-affected children and land mines with the foreign minister - he was working at a place on campus and hired me. I then got a job as a Human Rights and Refugees Officer in London, and I loved working there.
The Colonel explained to me that 1. this was Alaska's room, and that 2. she had a single room because the girl who was supposed to be her roommate got kicked out at the end of last year, and that 3. Alaska had cigarettes, although the Colonel neglected to ask whether 4. I smoked, which 5. I didn't.
Although I had a few jobs that I didn't like, or quit, or got fired from, I really loved New York from the moment I got here and I never stopped.
I spent most of the 90s trying to make it as a producer - which is a difficult game to get into at the best of times, let alone pre internet - and then I got married, had three boys and we moved house. I had to sell a lot of my gear, so a lot of the original set up went. I was busy being a dad and working, but still loved music.
He told us about Christ's disciples being fisherman, and we were left to assume...that all great fishermen on the Sea of Galilee were fly fisherman and that John, the favorite, was a dry-fly fisherman.
Everyone loved Steve Jobs and the idea of Steve Jobs. Like a lot of people, I loved a man I never knew.
There's definitely a lot of moments in my life now where I go, 'Wow, I get paid for this.' I've had worse jobs.
I had saved a lot of money working at Mrs. Fields' Chocolate Chip Cookies, ushering at the Golden Gate Theatre, and doing odd jobs so I could live in New York for a few months. If it ran out, I would have to give up and go home. It turned out OK. I got my Equity card and started working.
I loved working when I worked at commercial art and they told you what to do and how to do it and all you had to do was correct it and they'd say yes or no. The hard thing is when you have to dream up the tasteless things to do on your own.
My first professional audition - god, I've never told anybody about this - was for a test commercial, I think it was for Xbox. It involved me getting kidnapped by a granny who wanted to play the Xbox. It was very weird and I definitely had no idea what I was doing. I actually got the gig. It wasn't a commercial; it was what directors did when they wanted to show the company what they would do with a commercial.
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