A Quote by Jon Landau
The Who, England's most self-conscious band, have released 'Quadrophenia,' which in turn freezes in time our image of the mid-Sixties Mod sensibility.
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In order to move our self image higher on the spectrum of performance, we must specifically attack our self-talking and our self-thinking? By using constructive imagination - the eye of faith - we can change our self image.
Misogyny comes naturally to a young man in his late teens; it is a function of the powerful homosocial impulses that flower along Fraternity Row, that drove the mod movements of the middle sixties and late seventies, that lie at the heart of every rock band formed by men of that age.
We act, we behave, and we feel the vibration that we're in at the present time according to what we consider our self image to be. And we do not deviate from that pattern. The image you hold of yourself is a premise, a foundation (idea) on which your entire personality is built. This image, not only controls your behavior but your circumstances as well.
Being a mod is more of a sensibility than a style.
I'm still a mod, I'll always be a mod, you can bury me a mod.
It is time we in Scotland put England in its proper place and instead of our leaning on England and taking inspiration from her, we should lean and turn to Europe, for it is there our future prosperity lies.
For instance, our music, They Might Be Giants, has this element of humor, which is probably the most uptight part of what we include in our music, because we're in part very self-conscious guys, and we want our music to stand up to the test of time, not just be visceral comedy records. We love humor and comedy, but there's this aspect to it that runs counter to what is included in most music.
A lot of the shadow self is the home of poetry, story, prayer. My deepest understandings are often released from the part of me of which I am least aware most of the time.
Ingratitude is the frost that nips the flower even as it opens, that shrivels the generous apple on the branch, that freezes the fountain in mid-flow and numbs the hand, even in the very act of giving. It is a sin of silence, absence and omission, as winter's sin is a lack of light; a sin against charity, which otherwise warms the heart and, in the truest sense, makes the world turn.
By the late '50s, something was happening in England, and it got to be quite exciting. The music world then started to explode with the Beatles and the Rolling Stones. It was an incredible time with this mixture of independence in art, fashion, and the explosion of the pop sensibility. London was certainly at the center of it all for a few years. And as far as art is concerned, I think that sensibility of what was later called Pop art started in England even before America. And so I was lucky to be there.
I think we all do craft a certain self-image. I guess the degree that our internal self-image matches the image we project, we perhaps feel really uncomfortable in the world when there is a difference. That can cause a lot of stress or bad feelings about ourselves.
Most people have a time-bound awareness. And the reason is they have sacrificed their self for their self-image.
I didn't feel self conscious 'cause my sisters and I all had thick brows, and by the time I got to the age that I could be self conscious about them, they were in style!
There are days when I definitely look in the mirror and go, "All right, I need to find a cream." I can't foresee myself ever going under the knife, but then again, I'm only in my mid-thirties. Maybe it's different when you're in your mid-sixties.
I don't like the camera. I get very self-conscious with it and then spend way too much time not looking self-conscious instead of being free, as I do on stage, to do my work.
England was always very special. It was so important because the reason Benny and I started writing was the Beatles. During the Sixties, England was everything. To be number one in England was more important than being number one in America because England set the tone.
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