A Quote by Jon Landau

The Rolling Stones are violence. Their music penetrates the raw nerve endings of their listeners and finds its way into the groove marked 'release of frustration.' — © Jon Landau
The Rolling Stones are violence. Their music penetrates the raw nerve endings of their listeners and finds its way into the groove marked 'release of frustration.'
The Rolling Stones... The Rolling Stones have a reflection to my music; I wouldn't deny it. I think that's honest.
[joking about the length of the Rolling Stones' career] You have the sun, you have the moon, you have the air that you breathe - and you have the Rolling Stones!
The Faces do not, as some have recently alleged, play badly. They are more than competent, especially at creating a mid-Sixties Rolling Stones-styled groove, as their excellent version of 'Memphis' proves.
It's true that when I was younger and I first got interested in music, I used to read books about the Stones and the Beatles and how they listened to Muddy Waters and people like that when they were starting out, who are much less well known now than the Rolling Stones. The Stones really changed blues.
The concept of 'Blue' is to transport its listeners to a different world with music. And I chose to release a full-length album because it enables me to experiment with many different production styles, not just a single sound, and take listeners on a journey.
I've learned that football sometimes was an outlet. It was a way for me to release anger, release frustration.
Everybody is always raving about the Rolling Stones, saying, 'The Stones this, and the Stones that.' I've never cared for the Stones. They never had anything to offer me musically, especially in the drumming department.
I went on tour with the Rolling Stones in 1972 for two or three cities. And in 1975, I was the tour photographer for the Rolling Stones. I hung onto my camera for dear life. Because it scared the hell out of me.
In 1965, my father was just twirling the dial of the radio to find something that would make me go to sleep, and as soon as I heard rock and roll there was no stopping me. It was during the height of Beatlemania and the British invasion, but I gravitated toward the harder, heavier music going on then, you know, the early Rolling Stones, the good Rolling Stones, and Paul Revere and the Raiders, who don't get the credit they deserve for spearheading the American '60s garage sound.
Growing up, as much as country was a big influence in my life, the Rolling Stones and the Beatles and Led Zeppelin were such a close second. My first concert ever was the Rolling Stones in Denver. I snuck a camera backstage and filmed Mick Jagger during sound-check.
I used to listen a lot to Rolling Stones records and play along with them when I was first starting. It's a good way to learn, jamming around basic music.
I think the special stuff [music] still finds a way to be heard, as long as you pair it with a good release strategy.
I've always loved music. I grew up with older brothers and sisters who were into music, played The Beatles and the Rolling Stones and Aretha Franklin.
I don't find imitating other people's music easy at all. I remember being fifth in line for a Rolling Stones tour, early '90s, when Bill Wyman left, and I was hoping against hope that I wouldn't get the call to audition. I wouldn't be able to play a Stones song if you put a gun to my head.
Typically, we see an upsurge in anti-abortion violence . . . when the anti-abortion movement kind of thinks it was on the verge of victory, and then finds itself somehow thwarted. . . . When there’s frustration among the anti-abortion forces, violence often results.
I am really into '70s music, like The Rolling Stones, The Doors and what not.
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