A Quote by Jon Landau

Carole King's second album, 'Tapestry,' has fulfilled the promise of her first and confirmed the fact that she is one of the most creative figures in all of pop music. It is an album of surpassing personal-intimacy and musical accomplishment and a work infused with a sense of artistic purpose. It is also easy to listen to and easy to enjoy.
Since her landmark 'Tapestry,' Carole King has both oversimplified and over elaborated that masterful album's style until her music has become something more overtly but less effectively personal.
I could have taken the easy life and just done classical, but I felt very strongly about the album, my first pop album, the first time that I'd fused so many influences. I was very proud when it was in the charts in 25 countries at once.
With a pop album you can listen to one or two songs from it, but a music album is really an experience. It's not something a whole lot of rock bands do.
'Tapestry' was the first album my mom ever bought with her own money when she was 14. So, needless to say, it was a staple in the household, at least when my mom was choosing the music.
I've been an Amy Winehouse fan since her first album, 'Frank.' I always listen to her music when there's a lot going on and I want to be a bit grounded. It's like my musical warm fuzzy blanket.
It's interesting, because I named my first album after my dad because I wanted to find him. My second album was named after my mom because I felt like I learned all my creative talents I learned from her. All the survival stuff, too. And then the next album is 'Maya,' which is not my real name. It's fake.
I love pop music. I listen to it; I think you can hear it in my songwriting and my album. I'd definitely say it's country-pop music, but it's country first.
I did a pop album, 'Sogno,' in 1999. I think it's important to record another pop album because many people love pop music. By this kind of repertoire, some people can later discover classical music.
We had to create an album where there wasn't one. I never listen to that album [ Music From the Edge of Heaven] because it wasn't an album.
I love pop music. It's not easy to write a good pop song. It may be easier to put out a fake jazz album, as Sting does from time to time.
The great music for so many artists - the Beatles, the Rolling Stones - was always at the moment when they were closest to pop. It would be easy for U2 to go off and have a concept album, but I want us to stay in the pop fray.
But most of all, what really attracted me to her was her manner. She laughed a lot, and it's easy to fall for someone who can find humor in any situation. She was also intelligent, well read, and well spoken, willing to listen and confident in her beliefs. And most of all, she was warm.
I make up cassettes all the time - to take on the road with me - a song from this album, a song from that album. That's the way I listen to music; it's like one of those K Tel things: it's from all over. I listen to Fred Astaire, I listen to African folk music, I listen to Talking Heads.
I named my first album after my dad because I wanted to find him. My second album was named after my mom because I felt like I learned all my creative talents I learned from her.
I think most bands probably peak on their first album. We peaked on our third album. On the first album, I feel like I wish the production was a little better. I'll always hear a song I don't like. I look for what I could have done to make it better. It's always difficult for me to listen.
I didn't know how well my first album had done; it was enough to get me to do the second album, which was a continuation of the music I'd worked on and perfected.
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