A Quote by Jon Landau

Elton John can be a master of the sleight of hand. The arrangements make it seem like there are substantial melodies underneath the tracks - but almost nothing demands repeated listenings. Similarly, he always sounds like he's singing up a storm, but his voice glosses over the material, reducing most things to an uninteresting sameness.
The only criticism heard with any frequency of Elton John's first American album, 'Elton John,' was that the production was too grandiose. The melodies were superb, and lyrics frequently very good, and the performances flawless.
I like the sounds of EDM; the guys create new sounds, beautiful sounds. The melodies, it's a little less. I like the kind of melodies I did with Donna Summer, or 'Flashdance,' where you have a verse, a chorus - a song setup.
I definitely see the voice as an instrument: It makes great drums, great synth pads, great everything. Vocals can be so many things, like, "Hey, I'm Michael Jackson, and this is my iconic voice," or a choir of people sounding like Mozart's Requiem. Mariah Carey is my favorite singer because her voice sounds utterly groundless. It's not even a human voice; it almost sounds mechanical.
I thought I knew Elton John, but then it was like, "Woah, Elton's a pimp! He's really amazing." And since Billy and Elton are homies, I'm finally getting it - the two piano boys.
I think I prefer singing in falsetto. I like the way it sounds. It doesn't sound like my natural voice. It sounds like a character.
Stories," he'd said, his voice low and almost husky, "we are made up of stories. And even the one's that seem the most like lies can be our deepest hidden truths.
When I recorded 'Cooler Than Me', I had been singing for like, three months at the most. I was just a producer experimenting with my voice on tracks, and now I'm, like, a really good singer in a legit way.
When I hear someone, instantaneously, I'm like, 'Who's singing?' You're giving people so much of yourself, and my voice is the most natural, distinctive tool I have. It's up to me to express myself on a wider scale than just writing vocal melodies and lyrics.
When I play that music live nowadays, there's a lot of things I feel I'd like to do - even things I don't think the audience is aware of, like layering subs underneath the kicks, and layering crisp hats underneath the muddy, trashy hats of the '90s. If I tried to play the music as it was next to my contemporary music, it just sounds like you're closing up half of the sonic spectrum.
I could always hold a melody, but I was never like, I'm going to be a singer. So I'm able to use that when I write. I'm actually playing the beat with my voice. Instead of thinking about coming up with melodies, it's like filling in the instruments. So sometimes it's better to have beats with less melodies in them, because then I can play more with my vocals.
You have to find your own shtick. A Picasso always looks like Picasso painted it. Hemingway always sounds like Hemingway. A Beethoven symphony always sounds like a Beethoven symphony. Part of being a master is learning how to sing in nobody else's voice but your own.
I closed my eyes and listened to the occasional chirps of tiny birds hidden in the trees around us, the bubbling of water over rocks down below, cicadas rattling a chorus off in the distance. All sounds of the world carrying on like it always had. So much could change or be lost, and still, the rest of the world went on like it was nothing. It didn't seem wrong, but it didn't seem right either. I'd gone on today like it was nothing. I'd laughed and felt happy and forgotten for a little while that this was now a world without my brother in it.
Amid the cheering of the crowds, he hardly heard his master's voice, but he saw the familiar head and shoulders, and the bright flag he was waving. He raced toward the seven-foot fence; without apparent effort he rose in the air and cleared the top with a good hand-breadth to spare; then dashed up to his master that he loved, and gamboled there and licked his hand in heart-full joy. Again the victor's crown was his, and the master, a man of dogs, caressed the head of shining black with the jewel eyes of gold.
I always have melodies flowing in my head - whether I'm just at home, at the mall, at a restaurant or wherever. I'm always humming along to the random melodies that form in my head. My friends always ask me, 'What are you singing?' and I'll be like, 'I don't know!'
I lived my teenage years in my 20s when I sort of left home and became Elton John success, then it became Elton John excess... Everything I couldn't do when I was younger I did 10 times over. I was having the time of my life. I was becoming the person that I wanted to be.
I got to know Elton John's older music by learning to like his newer stuff. 'The Lion King?' That's what I like.
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