A Quote by Jon Landau

Joni Mitchell seems destined to remain in a state of permanent dissatisfaction - always knowing what she would like to do, always more depressed when it's done. — © Jon Landau
Joni Mitchell seems destined to remain in a state of permanent dissatisfaction - always knowing what she would like to do, always more depressed when it's done.
Why would I want to sound like Joni Mitchell? I've got Joni Mitchell records, and they're great, and I couldn't possibly be that good.
That's the music that I play at home all the time, Joni Mitchell. Court and Spark I love because I'd always hoped that she'd work with a band. But the main thing with Joni is that she's able to look at something that's happened to her, draw back and crystallize the whole situation, then write about it. She brings tears to my eyes, what more can I say? It's bloody eerie. I can relate so much to what she says. "Now old friends are acting strange/They shake their heads/They say I've changed."
I grew up listening to Joni Mitchell's version of "A Case of You." My mom was a huge Joni Mitchell fan.
I didn't grow up listening to him - my parents listened more to Neil Young and Joni Mitchell - but I lived in a flatshare for two years, and my flatmate loved Leonard Cohen. He would always play him when he got home from the studio or something.
When the suggestion was made that I might consider doing music of Joni Mitchell, I thought it was a fantastic idea. Joni, I admire not only for her music but for her person, because she's a person that really stands out for what she believes in.
I've always loved aggressive, hard, noisy, yet melodic bands, and at the same time I've always loved 'Blue' by Joni Mitchell.
I've had mentors who were kind of the troubadour singer-songwriters, like Merle Haggard, Loretta Lynn, Joni Mitchell, Bob Dylan and Neil Young, and that's just what I've always liked - people who would talk real honestly about their lives and their circumstance.
She [Joni Mitchell] wanted to have that (jazz) element in her music. Of course, when she heard Jaco's [Jaco Pastorius'] music and met him, that floored her -- really grabbed her. She decided that Wayne Shorter was really conducive to her music. She would speak metaphorically about things. "I want this to sound like a taxicab driver, or a taxi in New York," or "I want this to sound like a telephone ringing." She would speak to musicians like that, and we really tuned into what she would want our music to be.
I listened to a lot of Joni Mitchell in high school. She was sort of an inspiration to me. I think she's a great lyricist, and she makes interesting choices.
Definitely I grew up listening to Joni Mitchell, and I think she is a wonderful writer, so she is probably part of me.
I've always played acoustically - it's how I learned. I grew up listening to Leonard Cohen, Joni Mitchell, Neil Young, Dylan and what have you.
I don't think words always lead to meaning, but the things you can create with them are still pretty amazing. I've been really into Joni Mitchell, for example, but I've also been into some studio stuff, like Bjork.
A dream set would include songs by other artists like Paul Simon, Joni Mitchell, and other favorites. More obscure Heart songs like 'Wait For an Answer' and 'Nada One' would be fun, plus fan favorites like 'Love Mistake' and 'Language of Love.' Endless possibilities.
Mindfulness is Buddha's word for meditation. By mindfulness he means: you should always remain alert, watchful. You should always remain present. Not a single thing should be done in a sort of sleepy state of mind. You should not move like a somnambulist, you should move with a sharp consciousness.
I remember my father playing me Same Situation when I was a nipper, and saying how nobody since has done melodies as well as Joni Mitchell. I concur. The thing that most affected me was just her resonance, and that is something she must have been born with.
The writers that I aspire to, like Joni Mitchell and Randy Newman, they'll tell you that the work gets harder, not easier. And they set that bar for us where we're always striving to do something better than the last time, whether it's the next song or just the next line.
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