A Quote by Jon Landau

There were many stars in Motown's firmament - among them, Stevie, Marvin Gaye, Smokey Robinson, Martha Reeves and Diana Ross - but I happen to have loved the Four Tops most of all.
The only recording studio was in Motown - it was called Tamla/Motown at that time and we used to audition there because Smokey Robinson was at that studio and Berry Gordy was the president. I remember asking Smokey to listen to my group and he did. For the first couple of years we were just singing background. We used to back up Marvin Gaye; Mary Wells was there then, Marv Johnson, the Marvelettes, Martha Reeves and the Vandellas, Junior Walker and the All-Stars.
I thought wasn't nobody supposed to get gold records except those people on Motown, like Smokey Robinson and Diana Ross.
I love Motown, that whole era. Marvin Gaye, Smokey Robinson. I just put on Pandora, and put it on Motown, and it makes me smile; makes me smile so much.
I listen to a lot of old stuff like Smokey Robinson, Marvin Gaye, and The Temptations.
Marvin Gaye is an inspiration to me. He was one of the first Motown musicians that my mom and dad introduced me to, and I always thought it would be a good idea if I was ever an artist, and now I am, to make a record called 'Marvin Gaye.'
Somebody said I sound like an old lady, and I was really insulted by that. I'm trying to sound like Skip James and Smokey Robinson and Marvin Gaye.
I was raised on Marvin Gaye. Before I knew Babyface or anyone else, I knew Marvin Gaye. My mother played Marvin Gaye.
When I joined, I was one of the first artists to sign on to the Motown West label when they opened their first studio in California. At the studio, you'd run into Stevie Wonder, you'd run into Marvin Gaye…it was very special.
I was a big fan of Marvin Gaye, and when my parents were at work, I would get in front of the mirror, put my father's clothes on and pretend I was singing Marvin Gaye songs.
For me, the highlight was meeting all the Motown acts, as I adore black soul music. I met Stevie Wonder who I love, and Diana Ross And The Supremes. I also met The Carpenters. I was actually there in the studio when they recorded We've Only Just Begun.
There are many influences in my music, not only blues. R&B, Motown, gospel, old timey, jazz, even classical are all part of what I do. I started with classical, then country, then blues, and after that I started listening heavily to Motown and gospel. My earliest efforts as a songwriter were soul. Aretha Franklin, Curtis Mayfield, Wilson Pickett, Gladys Knight, James Brown, Otis Redding, Marvin Gaye and Fontella Bass are just a few of the names that come to mind as the God's of soul and Motown.
I listened to a lot of Marvin Gaye and Motown records.
I wanna hear some Diana Ross, I wanna hear some Marvin Gaye. I wanna hear a song that reminds me of a better day.
As a kid, looking at Michael Jackson, Marvin Gaye, New Edition, the Temptations, Motown, people who I felt were huge artists, they made me wanna do something.
I can't be Stevie Wonder; I can't be Marvin Gaye, but I can be the foundation that I think withholds that mold.
With the '60s era and Motown, my grandparents actually introduced us to that when I was younger, so I grew up listening to the Jackson Five, Aretha Franklin, The Temptations, The Supremes and Diana Ross' solo stuff. I just loved it.
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