A Quote by Jon Lovett

The great thing about writing jokes for President Obama is that he is not afraid to tell jokes that are actually funny - and not just funny for a politician. — © Jon Lovett
The great thing about writing jokes for President Obama is that he is not afraid to tell jokes that are actually funny - and not just funny for a politician.
I had a moment where I was onstage once... As a comedian, you just think, 'Be funny as possible all the time - like, funny at all costs - jokes, jokes, jokes.' That's how my mentality was.
I like to make jokes; I consider myself a funny person. I just think making jokes about people who are in a situation beyond their control is not funny to them or their families.
There are two kinds of jokes - funny jokes and Jack Benny jokes.
Real racist jokes or sexist jokes aren't funny - not because they're offensive, but because they're not true. As soon as a joke is based on an untruth, it's not funny.
Sometimes, comics will make the observation that it's not jokes that are funny, it's characters that are funny. And isn't that true! That's why I always kill jokes. I'm terrible at them, because I get the joke right, but I can't get the character right, and it just goes down like a lead balloon.
The jokes I was always attracted to, and that I would tell for the longest, were jokes where I cared about the subject. Whenever I wrote a joke where I didn't care, even if it was really funny, the third time I told it, it would lose steam.
JaVale McGee is one of the smartest guys I know. Like, he's a nerd, plays with gadgets, and is into technology. He's funny - he's got crazy jokes, and his timing with jokes is really funny. You have to be really smart to think the way he does.
There's always a source for humor [in politics]. If it's inappropriate to write about, if there's nothing funny about it, then it's not funny. So it sort of selects itself. It has to. And plus, often something that wouldn't be funny at the time is okay to make jokes about later.
My parents are really funny. Laughter was a big part of my childhood. Of course, they tell a lot of bad jokes - but so do I. I tell a lot of bad jokes.
As far as my personality, my friends and family know I'm crazy! I love to have fun; I'm bubbly. People say I'm funny but I don't know that I'm funny: I don't try to be funny and tell jokes and stuff like that, but I always got something slick to say.
'Friends' was great fun, but I was just there so they could make some funny jokes about England.
What I usually do is tell funny stories from the road, many of which are, of course, unprintable. But I don't actually have a joke. I don't tell jokes much. I tell little stories.
I'm not offended. Lenny Bruce taught me that everything's funny. You can make everything funny. I don't think that assassinations are funny, I don't think you can make fun of ISIS, but almost everything is funny. And If we can't laugh at ourselves, who can we laugh at? So I don't mind ethnic humor. I like ethnic humor. I like dialect jokes. Laughter is a very subjective thing. If it's funny to you it's funny. And a lot of things are funny to me.
I think jokes on colour or body shaming shouldn't be made. It's not funny to crack such jokes.
I do jokes about what's funny, and both sides are funny.
Since my act is a goofy reflection of what's going on in my life, I started doing pot jokes, and I noticed that audiences invariably love pot jokes. Even people who don't smoke pot think it's a funny subject. So when I started getting laughs, I started doing more material about it. When people come to see my shows, there are a lot of stoners in the audience, but there are also a lot of people who just like me. So I try to give a healthy mix, where people aren't going "There are too many jokes about pot!" or "There's not enough jokes about pot!"
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