A Quote by Jon Lovett

We try to talk when the microphones are on the same way we would when the microphones are off. — © Jon Lovett
We try to talk when the microphones are on the same way we would when the microphones are off.
Let's just cut a live record with three microphones in four days and talk about lizards and aliens. If I had taken that idea to even an independent label, I don't see a label out there that would've said, 'Oh yeah, that sounds great. We know how to market this.'
What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through a little speaker. [...] I wonder if everyone's hearts would start to beat at the same time.
A dressing room is both a personal space and a workspace. It changes with the flick of a switch: turn on the relay - the speaker linked to microphones in the auditorium - and you're at work; when that's off, it's your sanctuary.
We lived above the church, and I remember there was no air conditioning in the church. I would shut all the windows and I would have concerts in there. Practice, you know, take the microphones.
I have no desire to become a crossover artiste, singing with microphones. I believe in opera; that it is something that young people would love if they had a chance to hear it.
We planted bugs, microphones, in premises which interested us in the West. We weren't too successful - I would have said unfortunately in former years, but I don't care anymore now.
I tend to use different microphones, different mic techniques, and different recording mediums - like analogue tape - that evoke multiple eras of recorded music at the same time.
Microphones are just like people, if you shout at them, they get scared.
Twitter," said Manny, waving his hand. "You know what that is? Termites with microphones.
A lot of the gear came out of some of the old studios here in New York City. We picked up a lot of old microphones, reverb tanks, tape machines, so yeah, we try to record the old way, which takes more time and energy, but it certainly feels better when you're getting to the end of the process of making a record.
If I ever get Manziel disease, I want all of you to smack me in the head with your microphones.
I've sold all but one of my microphones, put away my mini-notebooks, stopped scouring the Internet for scraps of wisdom.
You go to a musical; you are deafened by them, with everything blown up. I remember musicals when they didn't use microphones.
You shouldn't really have to use EQ in the studio if the instruments sound good. It should all be done with microphones and microphone placement.
That's what records do: represent a compressed, heightened version of the sound. Because of the compression of the tubes and microphones and the wax, it's magic!
Footballs, basketballs, microphones, gas and grass... Just some of the few things that J-Ro likes to pass.
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