A Quote by Jon Meacham

Mysteries and thrillers are not the same things, though they are literary siblings. Roughly put, I would say the distinction is that mysteries emphasize motive and psychology whereas thrillers rely more heavily on action and plot.
One of my books, 'Rain Falling on My Face,' earned me the 39th Edogawa Ranpo prize. It's a very prestigious literary prize in Japan, mostly for mysteries and thrillers.
I love adult thrillers and murder mysteries and everything like that.
I think it's very interesting for a director that enjoys thrillers and mysteries like I do to have the challenge to do that.
I'm really into kind of a 'Sixth Sense' type of movie - mysteries, thrillers a little bit.
I've always really liked murder mysteries and thrillers, and great to be able to be actually part of one.
People often say that aesthetics is a branch of psychology. The idea is that once we are more advanced-all the mysteries of art-will be understood by psychological experiments. Exceedingly stupid at this idea is, this is roughly it.
When you're watching an action movie, you experience an action movie more outside of the aquarium, you're out of the aquarium looking in at all the swimming fish that are in there. Whereas horror films and thrillers are designed to put the audience into that box, into that aquarium.
I have 20 or 30 books completely plotted out in my mind - mysteries, thrillers, horror, romance, science fiction. You name it.
Monsters don't scare me at all; I think creepy is scarier than gore. I tend to read more thrillers and mysteries than horror, though. I like a good whodunnit. If I want scary, I tend to reach for a movie. I think it's a great medium for horror.
Most beginning writers - and I was the same - are like chefs trying to cook great dishes that they've never tasted themselves. How can you make a great - or even an adequate - bouillabaisse if you've never had any? If you don't really understand why people read mysteries - or romances or literary novels or thrillers or whatever - then there's no way in the world you're going to write one that anyone wants to publish. This is the meaning of the well-known expression "Write what you know."
I dream big, baby. I want to do thrillers, I want to do smart David Lynch-type mysteries.
A number of things in Dhalgren are just meant to function as mysteries. They're mysteries when the book begins, and they're mysteries when the book ends.
A number of things in 'Dhalgren' are just meant to function as mysteries. They're mysteries when the book begins, and they're mysteries when the book ends.
Mysteries include so many things: the noir novel, espionage novel, private eye novels, thrillers, police procedurals. But the pure detective story is where there's a detective and a criminal who's committed a murder and leaves clues for the detective and the careful reader to find.
If you write thrillers or mysteries or horror fiction or quote-unquote speculative fiction, men might read you, and the 'Times' might notice you.
I used to be one of those people who read thrillers on vacation, but for some reason most thrillers no longer thrill me. Maybe because these days reality is far more unbelievable than any fiction?
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