A Quote by Jon Oringer
I found it very helpful not to do the venture round. Instead, I started with very little money, a few thousand dollars, and I did every job myself. I was the first photographer. I was the first customer service rep. I was the first online marketing person.
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I started my career as a sales guy in the nineties, when the funnel was controlled by the sales rep, who had all the information the prospect wanted, including pricing and discount options. Now 90 percent of it has swung to marketing. It's self-service and you need to be very, very helpful to see to the top of the funnel. The game has changed a lot.
When I was around 15, I did my first movie. I was at a kids' agency, and the third time I was invited to an audition, they offered me a little part in some kiddie thing, and I earned my first money. I was very proud that I could buy my first mountain bike with my own money.
Back in the 1960s, I got a superb education for very little money. The bill for my first year at Harpur College in New York was a few hundred dollars.
But since I did my first film with Shammi Kapoor ji, he is my favourite. I was very shy to face the camera. In my first few shots with Shammi chacha, I was very nervous. He was very patient with me and guided me in every shot.
High school was the first time I ever saw spoken word poetry. The first place I ever performed a poem was at my school, so in some ways it was the nucleus of how it all started. For me I think high school was a period of trying to figure myself out, and poetry was one of the ways I did that, and was a very helpful avenue to try to do that.
I started tweeting with the first film I directed. I found it the best way to promote it and to connect to the audience, and since then, it's been very helpful.
That first company I started made a lot of money for the venture capitalists - nearly $30 million - but next to nothing for the founders. The companies I started after that varied between failures and mediocre successes. But at no point did I ever consider getting a 'real job.' That felt like a black and white world, and I wanted Technicolor.
It felt like a huge risk when I first started putting my comic online. It was very scary to put myself out there that way and to open up something that I cared about very dearly - and to be the only creator involved with it.
My first venture was to trade bicycle parts and hosiery yarn. The initial days proved to be difficult, and I earned very little from my business. But I kept at it. Each day, when I retired for the night, I told myself that money would come in the next day.
The first thing they gave me at 'Sports Illustrated' was a first-class air card. 'And oh, by the way, there's the petty cash drawer,' they told me. 'Take a few thousand dollars for expenses.'
I won my very first fight by knockout in the first round. The trainer at the time was in love with me and he said I could make a career out of boxing. So I started boxing for the barrios or neighborhood championship.
My first job was with the Burns Detective Agency. They sent me over to the East River to guard coal barges during these god-awful hours like three to six in the morning. It wasn't a very difficult job -- all I had to do was make a round every fifteen minutes -- but it turned out to be a great environment for writing. I was completely alone in a little outhouse with an electric heater and a little desk.
I've written short stories in first person, but you have so much more control writing in third person. Third person, you know what everybody's thinking. First person is very limiting, and I could never sustain a first person novel before.
It felt like the first thing, but when I first started out, I got a job adapting a book by Russell Banks called 'Rule Of The Bone.' I didn't do a very good job. I didn't really know what I was doing in general, let alone how to adapt a book.
I got the first job and kept going. Once I got a job, I very much wanted to keep getting jobs, basically. I did try to learn what I could in those first couple of decades.
My first job was television. I got to where I wanted to go, but through a little bit of a detour. When I first started working in film and television, I hated myself - I didn't like what I was doing at all. All I could think of was, 'I'm overacting. Be smaller.' I started to do that, but that was not fun. I felt confined doing film and TV.
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