A Quote by Jon Pardi
I love having those lyrics that at first make you think it's about one thing, but it's really about something so much more.
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Everyone is passionate about something. Usually more than one thing. We are born with it. There are always going to be things we love to do. That we dream about doing. That we really, really want to do with our lives. Those passions aren't worth a nickel.
The good thing about having a kid is you don't think about that as much. Like when I turned 30, for instance, that was much more momentous. Forty is particularly great for a woman. It's a big thing.
We're not trying to form a new religion. I think that all the powerful religions are pretty much the same. People like to pretend they are very different, but they are not. They are really about believing in something bigger than yourself, something that's unseen, and about having some faith. That's not such a bad thing to have in the world.
I do think the smaller-scale studio works have that incredible love of data crunching, whereas I would say the large-scale earthworks tend to be much more stripped-down. With the mappings, as connected as they are to a much more analytical idea, what's a map? And can I make a map about time? I think the first time was Hurricane Sandy, the flood plane; a moment in time, but indelibly marked on any of us who were in the city. Mapping time is something that I'm really interested in.
It does say something about a society when those who sue physicians and hospitals make as much or more money than those who heal disease. It says something about a society when it glorifies and rewards those who litigate while it demonizes and punishes those who produce the drugs and devices that keep it citizens alive and well.
For me, writing music is a way of processing the world. It's not a concrete thing, as in, "This piece is about giraffes." It's much more of an emotional sort of thing. I want people to find something out about themselves through my music, something that was inaccessible before, something that they were suppressing, something that they couldn't really confront.
It's strange. No one ever really talked to me about my voice. People started writing about it, and I was like, 'What?' I'm really about my lyrics, but more people were talking about my voice. It's cool, but at first I got upset because I wanted people to focus on the content.
Wanting something - wanting a career or wanting to make something - doesn't really mean much. It's about finding something you care about. Because caring is the only thing that really matters.
I am much more aware of making the plot more original, avoiding contrivance, having the story matter much more. I used to think more about symbols consciously. Now I think much more about the story.
I think that all the powerful religions are pretty much the same. People like to pretend they are very different, but they are not. They are really about believing in something bigger than yourself, something that's unseen, and about having some faith.
I think there's something really painful about your identity being entirely composed of ghosts. For me, I didn't want to be this kid whose Dominicanness was something caught utterly in the past, is an abstraction, the thing that I write about. Instead I wanted it to be, first and foremost, a thing that I lived.
I don't know if I'm a feminist, as much as I really love being a woman and I'm proud to be a woman. I love everything about it. That might come closest. I definitely have nothing against men or men having their power. I do think that the whole thing with equal rights and paying women equally, it's disgusting. I think in this day and age, if you still have issues with women, then that's weird. I'm definitely for women winning. We're such a wild species, we have so much to offer. I'm all about that - being for ourselves.
There are many ways to love someone. Sometimes we want love so much, we're not too choosy about who we love. Other times, we make love such a pure and noble thing, no poor human can ever meet our vision. But for the most part, love is a recognition, an opportunity to say, "There is something about you I cherish." It doesn't entail marriage, or even physical love. There's love of parents, love of city or nation, love of life, and love of people. All different, all love.
People don't really care about lyrics anymore. It's kinda really sad, like they'll listen to something musically and has a really cool beat down or something, that's great, that's good enough; but the message is the most important thing.
The lyrics just come out, and I don't know where from. I'm an incredible failure in relationships. I think there's a romantic ideal that I'm aspiring for. I don't know. The lyrics are always about unsuccessful relationships. They're not all about the love between a man and a woman. It's about friendship and family. Deep down there's a lot of talk about general existence.
The difference when I'm writing a story versus writing a joke is that writing a joke is so much more about the structure and it's less about the conversation. To me, the thing that I love about stand-up is the intimacy between performer and audience.To get it even more conversational was something that really appealed to me and that I really enjoyed doing. My early experiments with it, with just telling a story from my life on stage, it was so satisfying to do. And seemingly for the audience as well. It's a different thing, and it's a different feeling and a different vibe.
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