A Quote by Jon Pardi

What I can feel the most and what I can remember the most are the melodies I want to write to. — © Jon Pardi
What I can feel the most and what I can remember the most are the melodies I want to write to.
I write because it is while I'm writing that I feel most connected to why we're here. I write because silence is a heavy weight to carry. I write to remember. I write to heal. I write to let the air in. I write as a practice of listening.
I don't want to write melodies anymore. I can only write really simple, dumb caveman melodies.
I have written most of my melodies walking and I feel it is definitely one of the most helpful ways of sewing all of the different things in your life together and seeing the whole picture.
The parts that embarrass you the most are usually the most interesting poetically, are usually the most naked of all, the rawest, the goofiest, the strangest and most eccentric and at the same time, most representative, most universal... That was something I earned from Kerouac, which was that spontaneous writing could be embarrassing... The cure for that is to write the thing down which you will not publish and which you won't show people. To write secretly... so you can actually be free to say anything you want.
I just write... I follow the melodies that I can't forget/the ones that pop up in my brain the most.
Melodies and ideas are always on my mind and always coming to me. I'm very thankful for that because if I didn't have whatever that is, that craziness, that openness, maybe, I don't think I'd be able to do what I really love to do, which is write great melodies and at least try to write great melodies.
There is a great temptation with songs, melodies and lyrics to overcomplicate them but in fact, you find that the most enduring melodies are often the simplest.
The scene that scares you the most, that you don't want to write because it's the most difficult to write-that's the one you have to write. So I think when people have writer's block, it's because what they have to write scares them. And that's usually the heart of the book.
Remember to be kind. Remember to be loving. Remember to feel all your feelings and to take care of yourself. But most of all, remember to be happy.
The most exciting rhythms seem unexpected and complex, the most beautiful melodies simple and inevitable.
Don't sacrifice what you want most for what you want now. Write down what you want most and see it often.
I want to be myself. That's when you feel the most comfortable, that's when you have the most success, and that's when you're the most happy.
If I were assigned poems I suppose I'd write more of them but it is entirely voluntary and for the most part ignored in the market sense of the word so the language to me is most intimate, most important, most sublime and most satisfying when it gets done.
Everyone can write their melodies and chords and pianos and guitars, but what hasn't been discovered yet are tones and textures, and that's very exciting. Probably the No. 1 most important thing in my music is not to sound like anyone else.
Not write what you know, but know what you write. If you write about a world before, after, or other than this one, enter that world completely. Search it to find your deepest longings and most terrible fears. Let imagination carry you as far as it may, as long as you recount the voyage with excitement and wonder. But this is the most important rule: write the book you most long to read.
Words have been the most difficult thing for me. Melodies have been the easiest for me; I have more than enough melodies to go around.
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