A Quote by Jon Pardi

I'm trying to write songs to appeal to everybody. — © Jon Pardi
I'm trying to write songs to appeal to everybody.
The truth is, that's what we moved to Nashville to do - to learn how to write hit songs. We weren't necessarily trying to get on college radio. We're trying for mass appeal.
I write simple songs, and people like that. They're mature enough to appeal to people who aren't teenage girls. Most of my fans are older, and it's nice to think the songs can appeal to middle-aged men and women.
There was a period in my life when I was trying to write standards: songs that everybody recorded. I did a pretty good run of it.
We're always trying to outdo ourselves, trying to do better, trying to write better songs. I think we want to inspire other people as well, so that's what we'll try to do through future songs.
Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
Who decides what is and what isn't punk? I want to write songs that people hear and feel, and I want to be successful and reach a big audience. I'm not trying to be the coolest guy in the world; I'm trying to write songs that mean something to people. As you get successful, sometimes you lose one set of fans and gain another.
I'm not trying to get across some sort of message or statement. I'm just literally trying to write the best songs I can write. It's all that matters.
I used to write songs that mimicked other songs that I would hear as a kid, cos I was 12 years old when I was writing those, right. And you hear a radio so all I'd write about was [sings] "hey girl, look at you", you know what I mean. I think that even doing that made it easier for me to write non-personal songs because, from a kid, I never wrote personal songs, they were always like mimicking. And now I'm just trying to understand my writing and where it's coming from.
My idea of making time for myself is writing songs. I never stop beating myself up about trying to be productive, so I don't really like to do a lot of things other than write in my journal and write songs.
I love writing Christmas music. It's some of the easiest songs to write... You draw from your own memories - it's kind of a wellspring of inspiration, in a way. With other songs, you know, you spend six months just trying to figure out what to write about.
I was never trying to write a hit. I was just trying to write good songs and get a message out, and it was my great good fortune to be popular.
I'm trying to appeal to the disenfranchised everybody, not just specifically gay.
I had my whole life to write a bunch of crappy songs and then play them in front of people and think, 'All right, that one out of these seven is really good; it's a keeper.' But on this second album, to be honest, I probably wrote about 50 songs where I was just trying to write a hit.
If I write songs trying to top other songs, it's a lot of pressure.
I don't want to appeal to everybody. [After all] everybody doesn't appeal to me.
Everybody struggles with get tiring as a musician having to play the same songs over and over again on one level or another. That is why you're cast to write the best songs you can. It keeps it going for you. My old man used to tell me be careful what you write you might have to play it for the rest of your life. That is always a challenge and the best way to remedy it is to write.
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