A Quote by Jon Pardi

As a songwriter, you always look for guys that you can write good with. Show up, have an idea, knock it out of the park. — © Jon Pardi
As a songwriter, you always look for guys that you can write good with. Show up, have an idea, knock it out of the park.
I was one of those guys, you know, playing and singing, and there was no reason for me to write a song, because there were so many beautiful songs out. And Bob Dylan was always the ultimate songwriter, and nobody could ever write a song as good as him, and nobody ever has written a song as good as him.
If you take guys like Exequiel Bustillo, the architect who designed the early park infrastructure in Argentina, or the great American architects, these guys had a vision that thrust the national park idea into the public eye.
The curse of being a songwriter is that's you're always at work. I could look out the window right now and see something that would make me want to write.
If you show up to work five days in a row, nobody's going to pat you on the back - everyone does that. Well, do that with your writing. Just show up. Be there for it. When you get an idea, write it down somewhere and then be a steward of that idea.
I write all the time. The wonderful thing about having a cell phone is that if I get an idea, I knock it out and it's in my phone and I can transfer it to my computer and go into the studio and bring it up.
Trying to get over guys and knock them out, that's what fires me up. Decision victories, whoop dee doo, but finishing guys fires me up.
I believed I could knock out Rory MacDonald, Johny Hendricks and Jake Ellenberger, and sometimes it happens, sometimes it doesn't, but I know I can knock these guys out.
AT&T Park, chalk it up. This is a great pitcher's park, great weather. It's a great place to pitch. It's all positive and no negative. You can go out and challenge guys. I've got the confidence to attack the strike zone and not nibble so much.
I'd hate to be a songwriter starting a career today...Al Stanton walked in one day and said, 'Otis, I've got an idea. Why don't you write a song called "All Shook Up"?' Two days later I brought the song in and said, 'Look, man, I did something with it.'
I'm a songwriter. I've got ideas in the closet that just didn't work out with my band, that I think, "This is a great idea, it's just the wrong guys."
That was the best part of the Pride guys - they'd go out and entertain. They'd either get knocked out or knock somebody out; they were always trying to finish the fight.
In more than 20 years of opening beers with guys, I have NEVER seen the Swedish Bikini Team show up. Almost always, the teams that show up in beer drinking situations consist of guys who have been playing league softball and smell like bus seats.
I always write and create. I'm never not creating. I'm always creating a show, every year, whether it gets picked up or not. I always sell a pilot or an idea. I like to be in control.
I hung out a lot with the ring crew guys. I got along better with them then I did the other guys, the other talent. The guys that show up early in the morning and set the ring up and stay there all day and then take the ring down and drive five and six hours that night to get to the next show.
My role on 'Silicon Valley' was so small that I didn't have a lot of influence anyway in the show. There are four guys who really write that show and run that show and then six or eight hanging out in a room kicking in a few bits.
I rolled my eyes in aggravation and glared at the ceiling, hating what I had to confess. Lend knew how much it affected me, taking souls, and I always felt guilty and dirty, like he was judging me even though he tried not to. The faerie came after me when Reth was down and I sucked out some of her soul.Good.I-Good?Yes. Good.I shuddered. You don't have the creepy, ice thing in you. It's not good.You here, safe and alive? Good.I smiled sadly and knocked on the wall three times. I-knock-love-knock-you-knock.He knocked three times back.
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