A Quote by Jon Pardi
You've got these guys that have this fresh, street, hip-hop country that sells a zillion. Keep doing that. I'll keep doing my stuff. We'll see how it goes.
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I had no idea how much the stuff I was doing was affecting people outside Oakland. At the time, also, hip hop wasn't able to tour because all these clubs that let hip hop come in now, they would never have let hip hop come in.
This is where hip-hop has become so doomed lately, in this confusion that rappers are street guys. You are not street guys. Get out of that mentality. It's killing hip hop creatively, and it's killing morally. I just think it's a disaster. You're not in the streets and do not be confused about that. You're in legitimate businesses.
I directed one of my shorts that did festivals around the world, and that was great. I've got a bit of a bug for that now. I just hope I keep challenging myself and keep doing stuff that interests me with people who I respect and who teach me stuff. If I can keep doing that in anything - acting, writing, directing or whatever - I'll do it because life is short.
We'll never change the fact that we are hardcore hip-hop and we make rebellious hip-hop music, and we're going to keep doing that and progress with our production, progress with our lyrical styles, be creative, and just have fun with it.
Don Cornelius did not want to see how I really danced - I was doing hip-hop, and it was foreign to people out in California. They only knew about popping and locking, so they were not keen on hip-hop dancing.
I see that happening with hip hop purists now. Where you have an artist like a Kendrick [Lamar] or a Drake, who are really trying different things emotionally, different things musically, and on a mainstream level. And you have underground hip hop fans dissing it, for the simple fact that it's mainstream - not because what they're doing is whack, or what they're doing is not sincere.
Socially, hip-hop has done more for racial camaraderie in this country than any one thing. 'Cause guys like me, my kids - everyone under 45 either grew up loving hip-hop or hating hip-hop, but everyone under 45 grew up very aware of hip-hop. So when you're a white kid and you're listening to this music and you're being exposed to it every day on MTV, black people become less frightening. This is just a reality. What hip-hop has done bringing people together is enormous.
I started DJing soundclashes. I used to go to Jamaica a lot. I was like a hip-hop sound boy, where I took the dancehall culture and mixed it up with the hip-hop as well. I kept going, going, and I got real hot in the streets of Miami - you know, doing pirate radio - then ended up doing 99 Jamz, the big station out there.
Quentin Tarantino is a hip-hop artist. I told him, "You're hip-hop!" You keep seeing surprises, and a clip here and there, because Quentin is hip-hop. A hip-hop artist will drop a single, leak something over here, and drop something over there 'cause he knows it's hot. He's on the spot with the way he does things.
Quentin Tarantino is a hip-hop artist. I told him, 'You're hip-hop!' You keep seeing surprises, and a clip here and there, because Quentin is hip-hop. A hip-hop artist will drop a single, leak something over here, and drop something over there 'cause he knows it's hot. He's on the spot with the way he does things.
I know people know how good I am playing basketball... All I do is just use it as motivation: keep getting better, keep doing the same stuff and doing it even better.
We just have to keep our heads down and keep doing everything that we've been doing. This isn't a bunch of guys that are just going to go out and brag We're going to race every week like we have never won a race before. That's the kind of determination that you need when you are going to do this stuff.
I always try to pick and choose projects that will be impactful to someone. From films like 'Clockers' to playing a doctor on 'ER' to doing '8 Mile,' where I'm in charge of the hip-hop battles, I think it affects all kinds of different audiences. And I just try to keep that in mind, to keep people entertained.
Bebop and hip-hop, in so many ways, they're connected. A lot of rappers remind me so much of bebop guys in terms of improvisation, beats and rhymes. My dream is to see hip-hop incorporated in education. You've got the youth of the world in the palm of your hand.
I've got all of the old school vinyls from the '70s - even further back, like the jazz music in the '40s, '50s, '60s. Then I've got all the '80s stuff underground, hip-hop when hip-hop really first started. The '90s stuff. All of the good stuff, because I'm really into music, and it helps me create new songs now.
People also knew me for putting people up to hip-hop, so people knew I was heavy into hip-hop. But as for cyphers and stuff in high school, I would never get on it because I was too shy. That's pretty much what I was doing.
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