A Quote by Jon Pardi
I've been able to carve my way out with lyrics and melodies.
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Jim had melodies as well as words. He didn't know how to play a chord on any instrument, but he had melodies in his head. To remember the lyrics he would think of melodies and then they would stay in his head. He had melodies and lyrics in his head, and he would sing them a cappella, and we would eke out the arrangements.
We start a lot with melodies and instrumentation and trying to figure out good melodies for verses and choruses. We get to lyrics sometimes second, so we'll start humming a melody, finding something, and see where the music takes you as far as lyrics are and what you want to say and go from there.
When people hear sing-songy melodies, they think the lyrics will be nice, too. I guess there's a depressing or psychotic side to my personality that pops out in the lyrics.
I've always had an ear for melodies, and they veer pop. My lyrics are more country - what I love is the storytelling and the structure, how tight the rhymes can be. But pop melodies have always been intrinsically linked to my writing style.
Pretty much any given day, barring some major distraction, I get melodies coming to me. Lyrics don't come quite as easily. So I've been inventing little projects and challenges to sort of kick my ass with the lyrics.
Every time I get up in the morning, melodies occur to me and I start trying to shape lyrics to melodies.
There is a great temptation with songs, melodies and lyrics to overcomplicate them but in fact, you find that the most enduring melodies are often the simplest.
The melodies come out so strong that I'm like, "Oh, crap." It's really better if they could both be kind of able to compromise, but the melodies, even more recently, they come out very fully cast and formed.
Lyrics are important, but it's hard, because English isn't my first language - although it feels like it is these days! I grew up with amazing melodies, so getting that right on a song has always been the key thing for me, but there's no reason why a great melody doesn't deserve great lyrics.
I feel very lucky that I've been able to carve out any niche at all in this business. It's so hard to get into.
Depth on different levels is so important to me. You look at a band like The Beatles, all their material has so much depth to it. And I want people to be able to run away with my melodies and get lost in them and take the lyrics and be able to relate to them.
I think Sia is a pretty good reference for me because her way of 'singing and the way she composes the melodies and writes the lyrics is very similar to what I've always done.
I work in bits and pieces. When I'm touring it's difficult. After touring, when I have space and time, it's a process, something I've been doing since I was 10 or 11 years old. I collect lyrics, melodies, bits and pieces, and finally it all comes together. It's hard to say - I've been trying to figure out how the process works.
The blessing of being able to write music and let music speak for itself is you let the melodies and let the lyrics and the groove talk to people instead of me talking to people.
My lyrics are more country - what I love is the storytelling and the structure, how tight the rhymes can be. But pop melodies have always been intrinsically linked to my writing style.
Melodies and ideas are always on my mind and always coming to me. I'm very thankful for that because if I didn't have whatever that is, that craziness, that openness, maybe, I don't think I'd be able to do what I really love to do, which is write great melodies and at least try to write great melodies.
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