A Quote by Jon Pardi
'Dirt On My Boots' is a very different song. I heard the melody, and I heard the lyrics, and I heard the drive of that song. I totally related. It was kinda me when I was on my bulldozer working for my dad.
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Heard ten thousand whispering and nobody listening. Heard one person starve, I heard many people laughing. Heard the song of a poet who died in the gutter.
When I heard 'Jesus, Take the Wheel,' I was like, OK. Some people look at it as a song written for an American Idol, Carrie Underwood, who is wonderful. But when you're a songwriter listening to a song, you hear something else. I heard that song, and wow.
When I first heard that song, it was a ballad but it had a lot more. It felt like a gospel song when I first heard it and it just moved me.
When they're singing the guitar lines of songs in South America? Never heard that before. And in Canada, when they're singing all of the lyrics to every song - that blows me away. I don't know all the lyrics to every song.
I have a very connected history with Bilal. I heard his demo years ago. I heard all of the magic instantly. He's a master at interpretation of song.
I heard a lot of different kinds of music. I heard country music, I heard jazz, I heard symphonic music, opera, everything you can think of except very modern music.
One day, I went to buy something for my dad at the shops, and I heard a song by Nat King Cole called 'Stardust Melody.' It was like I went into a trance or something. I forgot all about my dad sending me to the shop. When I got home, I explained to him what happened. I thought I was going to get a whipping, but he understood.
Sometimes melody and sometimes lyrics. It depends on the tempo and feel of the song. Slower pieces usually begin with melody and faster ones with lyrics. I write for the song and it leads me to my conclusion.
I wrote 'Love Foolish,' and when I heard the music for the first time, it felt like this was a song that Twice hadn't done before. I thought the song and music had a very mature tone, so I wrote the lyrics to match. I was inspired by the music directly.
Working with Mellencamp, I made new fans, people that may have never heard of me. They may have heard I was related to the Carter Family or Johnny Cash somehow, but what they got was pure Carlene.
The voice will always be heard, even if the song is very different.
I've always felt that the game itself is pretty much a melody and I am there to provide the lyrics. You want the lyrics to match the melody, because if you are composing a song or recording a song, it's cacophonous if they don't match.
If somebody says, 'Do you remember the first time you heard a Rolling Stones song?' if you say you do, you're crazy. You've just always heard them. You might remember the first time it impacted you, but the first time you heard one, you were in a cradle.
I feel like there's just so much of everything that I don't know what people have heard and what they haven't heard. I think with the fact that there's the Internet and that people can share home-made recordings, I think a lot of the songs do get to be heard, even if it's not the best quality, or there's clinking glasses or it's just piano and voice, people can at least hear the song.
Have you ever heard somebody sing some lyrics that you've never sung before, and you realize you've never sung the right words in that song? You hear them and all of a sudden you say to yourself, 'Life in the Fast Lane?' That's what they're saying right there? You think, 'why have I been singing 'wipe in the vaseline?' how many people have heard me sing 'wipe in the vaseline?' I am an idiot.
Listening to the birds tells you different things about a place. I heard bird sounds I'd never heard before. I heard street sounds and country sounds and city sounds that are very different from what it is I'm used to and I get very fascinated about how that marks a place.
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