A Quote by Jon Pardi
We travel so much as touring musicians and artists that sometimes, when you hear a great song that you really think could be on your project, you go ahead and record it instead of try to write it.
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You sometimes get the feeling that people think getting back together after a hiatus to write and record a record is work, you know, arduous and unpleasant. Being able to write and record - that's a privilege. I don't forget the long days I spent working in a restaurant, when I wanted to be done so I could go home and work on a song.
When I hear 'The Twist,' sometimes I hear it, and I go, 'Wow - I really did that song. It could have been anybody, but it was me. Isn't that great.'
I try not to write more than two or three, I try to just write one if possible, I write till the end at least a draft of a play or a novel; but sometimes, I'll take a break for a couple weeks for a project that is paying me money like a television project which I try to stay away from just to stay financially ahead of the game.
I think artists sometimes go back to something when we never should, for many different reasons. You hear a lot of stories that make you feel good about the work and the project; sometimes you try to relive that, like, 'I want to make a part two.'
I always try to write a song, I never just want to write a record. Originally I was not writing songs for myself. ....And I can say this, most of the people who have recorded my songs are songwriters themselves. ... Even if I don't release it myself, somebody else might hear it and want to record it. When you write a song, it gives it that potential. When you write a song, a song has longevity. ... So I wanted to sing inspirational music, and that's exactly how I approached it-only the words have been changed to declare my relationship with God. Songwriting is my gift from God.
I don't really have a set-in-stone process or formula. Sometimes the melody is there and I have to chase down the lyrics. Sometimes, the song is there and I have to make the melody fit. What I've learned so far about songwriting is that I can't force a song. If I try to do that, it's hollow, and people know a hollow song when they hear it. It's the song they stop listening to and forget about. I'd prefer not to write those kinds of songs.
When I hear a great new record, especially when it's by someone that I respect and admire, then a part of me is like, Why didn't I think of that? Why didn't I write that record? It makes you sick, but in a way it can be a great thing. It makes you want to go back to the lab and start writing again. Maybe it will inspire you to try a little harder.
A song that sounds simple is just not that easy to write. One of the objectives of this record was to try and write melodies that continue to resonate...Everything that happens to you influences your writing...The writing process for me is pretty much always the same-it's a solitary experience...I have yet to write that one song that defines my career...Beck said he didn't believe in the theory of a song coming through you as if you were an open vessel. I agree with him to a certain extent.
When you go into the whole realm of creating your own music and seeing the project through, it's increasingly difficult because nowadays a lot of people are making music all on their own - the individual instead of the band. And when you have such a solid vision and you spend so much time working on one idea and allowing it to manifest in your mind through a record, and then you have to go and find people to help you see it through live, it gets really overwhelming, to have to project and really clearly state what you're trying to do and how you want them to do it.
Every time I try to write a song, when I sit down and think I'm going to write, I really want to write a song, and it never works out. It's always when it hits me unexpectedly on a plane or right before I go to bed, something like that.
I live in Virginia alone, and sometimes there's too much time to think. So you turn on the TV, but sometimes that don't do, so you turn the music on, and sometimes that don't do, and so you try and write a song, and sometimes that don't do... So you just take it as it comes.
When I originally wrote "Jealousy," it was more like an exercise to try to write a girl-group kind of pop song. It was really contrary to most of the material I'd ever written. I didn't pay much attention to the song after I'd recorded it. I didn't really perform it at all the last 20 years. When it came time to make the new record, I decided to make peace with the song and have fun with it.
I think 12 songs is too much to listen to all at once. When I buy a record, I get to the fifth song, and then I don't get to really hear the rest of the record.
I sometimes try to write something that is actually really simple and I can't do it. So, then, it's not simple anymore. It's really hard and it gets all messed up. I sometimes sit down and try to write a song with just three chords and it doesn't work.
I think, sometimes, artists release music too fast. If you just sit back and listen to the track for a little bit you could pick and choose how you want to do it and see if you really feel the song, because sometimes you might not even like the song after a few listens.
I don't think that there's much that sets me apart from other musicians, but I think there are definitely things that set me apart from other kinds of artists. I feel that musicians do it their own way, write their own songs and put on a great live shows.
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