A Quote by Jon Pareles
Booker T. Jones sounds more pithy and forceful than ever on “Potato Hole”…Mr. Jones still jabs terse, unhurried melodies that sound as if he knows the lyrics but would never tell. Where the M.G.’s suavely underplayed their aggression, the rockers’ multiple-guitar attack, with distortion and feedback, gives the music teeth.
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I put in the sounds of instruments such as the guitar and piano, which everybody hears often, and tried to go with melodies that would sound familiar. Rather than trying to do music that I want to do, I focused on doing music that I want my fans to hear.
Everyone must turn to Infowars as a standard to be saved. Tell folks, 'Hey, it's the most censored thing in the world for a reason. Jones is dialed in. Jones knows what's going on.'
There used to be two kinds of kisses: First when girls were kissed and deserted; second, when they were engaged. Now there's a third kind, where the man is kissed and deserted. If Mr. Jones of the nineties bragged he'd kissed a girl, everyone knew he was through with her. If Mr. Jones of 1919 brags the same, everyone knows it's because he can't kiss her any more. Given a decent start any girl can beat a man nowadays.
I usually start with a guitar riff or some little pattern of chords, and then I kind of go from there. Usually my lyrics are the last thing to go onto a song. For years and years I only ever did instrumental, so I'm still trying to get confidant with my lyrics and find the right balance. I'll generally get inspired from the music. I'll have a guitar line, and then I'll have a melody line, and I hook the lyrics up to fit that rhythm. So, my lyrics to tend be very rhythmic as well. They work with the music rather than the music works around them.
George Jones was a big, huge name in our household. George Jones-he is considered country, but in every genre he is known. Everybody knows George Jones. But George has such a unique voice. And he made such timeless songs, like "Color of the Blues", just real hard-core country stuff.
I'm not really too worried about the mystique of Jon Jones. Because I know Jon Jones' core. I remember when Jon Jones used to come up to me and say, 'Hey man, what's it like when everybody wants to take pictures with you?' So I know Jon Jones.
It's amazing. It's actually build from old Siemens Telefunken transistors from the 60ties. There is like 10 in there. It's the most powerful distortion you can have. It does not only do distortion, it does so many weird things. You can't control it, it's sound different all the time. But it's an endless source for fantastic sounds. For example the track "Transit" is entirely made with this box. You have to put the guitar sound in. It's like a pedal.
We tune differently, and we use some tricks. There's just the two of us for much of a concert, so we want a big sound. We do use some guitar effects, distortion and delay. Playing cello with distortion sounds so good.
Jones is the greatest golfer who ever lived and probably ever will live. That's my goal. Bobby Jones. It's the only goal.
As kids, my brother David and I longed for acceptance. We were desperate to belong. We would have been thrilled to see the pews of Jones's church in San Francisco, with blacks and whites sitting side by side. And Jim Jones's sermons on social justice and equality would have had much greater appeal to us than the soporific morality tales we were accustomed to hearing. Jones promised real racial equality. He promised to create a truly equal community in the jungle in Guyana.
The only thing worse than watching an Alex Jones video is the government trying to tell Google not to do it - to prevent people form watching the Alex Jones video. We can't even do it if we tried.
Jim had melodies as well as words. He didn't know how to play a chord on any instrument, but he had melodies in his head. To remember the lyrics he would think of melodies and then they would stay in his head. He had melodies and lyrics in his head, and he would sing them a cappella, and we would eke out the arrangements.
Roy Jones still number one and it's gon' be that way baby! For all these doubters, him [points to Larry Merchant] and the rest of them that said Roy Jones is a fluke, now they know.
Journalism largely consists of saying 'Lord Jones is Dead' to people who never knew that Lord Jones was alive.
I feel my spot is somewhere between a bass player and a rhythm guitar player. I play with a pick. I play very aggressively. I always have a distortion pedal in line, and I play less melodies and do more stuff against the guitars that create melodies.
To be honest, I didn't want to get inside Jones's head. Every time I wrote about Jim Jones I practically had to tie myself to my chair to force myself to do it; I hated him so much. He wanted to go down in history and he did. He's had hundreds of books and articles written about him. I was much more interested in the stories of the rank-and-file members of Peoples Temple, what drew them to Jones, and what they did once they were trapped in Jonestown and realized Jones was intent on killing them.
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