A Quote by Jon Richardson
To say I wasn't such a hit with the ladies would be a very kind way of putting it. I was a slow burner, shall we say.
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I knew lots of Irish ladies in my life who would say daft things and then would just say something incredibly truthful in a very simple way with simple language - a few well chosen words that would take an intellectual five minutes to express. I like that.
I would rediscover the secret of great communications and great combustions. I would say storm. I would say river. I would say tornado. I would say leaf. I would say tree. I would be drenched by all rains, moistened by all dews. I would roll like frenetic blood on the slow current of the eye of words turned into mad horses into fresh children into clots into curfew into vestiges of temples into precious stones remote enough to discourage miners. Whoever would not understand me would not understand any better the roaring of a tiger.
If you're talking about mugging little old ladies, you don't say, 'What's our target for the rate of mugging little old ladies?' You say, 'Mugging little old ladies is bad, and we're going to try to eliminate it.' You recognize you might not be a hundred percent successful, but your goal is to eliminate the mugging of little old ladies. And I think we need to eventually come around to looking at carbon dioxide emissions the same way.
Friends say, 'Shall we go out to dinner at 8?' I say, 'I can't, I'm a 10 A.M.-till-6:30 P.M. kind of guy.' I keep that very regular, no matter what.
It is perfectly right for a gentleman to say "ladies and gentlemen," but a lady should say, "gentlemen and ladies." You mention your friend's name before you do your own. I always feel like rebuking any woman who says, "ladies and gentlemen." It is a lack of good manners.
I shall set forth for somewhere, I shall make the reckless choice Some say when they are in voice And tossing so as to scare The white clouds over them on, I shall have less to say, But I shall be none.
What I aspire to do, and what I try the hardest to do, is write stuff that's very personal in its way. I figure I can only say things the way I say them, so I'm trying to do something that is kind of anti-generic.
In the past, you would take the time to write a love letter and you would think about what you wanted to say and compose it in a certain way. Now, everything is so short. It has to be, because it is rushed, and therefore, in a way, it loses a little bit of its importance. But I think it is very important to take the time to say what you want to say.
When I started out as an actor, I thought, Here's what I have to say; how shall I say it? I began to understand that what I do in the scene is not as important as what happens between me and the other person. And listening is what lets it happen. It's almost always the other person who causes you to say what you say next. You don't have to figure out how you'll say it. You have to listen so simply, so innocently, that the other person brings about a change in you that makes you say it and informs the way you say it.
My parents would say, 'Why don't you go out and play?' and I would say, 'I can't! I'm putting on my shows!'
So Stephanie.. you wanna say let the bodies hit the floor... I would say... let the boobies hit the floor!
"The Prince Of Tides" is a lot about my mother - what my mother would do after Dad would hit one of the kids or hit two of the kids, hit all the kids, hit her, she would usually get in the car. We'd drive out. She would say, I'm going to divorce him. I'm never going back.
Writing is praying with me. You know a child would look up at every sentence and say, 'And what shall I say next?' That is just what I do; I ask Him that at every line He would give me not merely thoughts and power, but also every word, even the very rhymes.
[Grandfather] would manufacture funnies with Grandmother before she died about how he was in love with other women who were not her. She knew it was only funnies because she would laugh in volumes. 'Anna,' he would say, 'I am going to marry that one with the pink hat.' And she would say, 'To whom are you going to marry her?' And he would say, 'To me.' I would laugh very much in the back seat, and she would say to him, 'But you are no priest.' And he would say, 'I am today.' And she would say, 'Today you believe in God?' And he would say, 'Today I believe in love.
I hit this point - I guess you'd say an end of a chapter - where I felt like I kind of did everything. I wasn't interested in music. It was a really strange feeling, and needless to say, it freaked me out a little bit. I really started to go inward and say, 'Hey, what is this about?'
When he talked to you, you seemed to fit in, but when someone else was talking, or he would be distracted, you jsut looked lonely over there. At least to me. But whenever I would tell you that, you'd say "I'm fine. I just slip out of it, you know?" And I'd say "I'll catch you," and you would say, "It's not the kind of slipping you can catch.
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