A Quote by Jon Richardson

I shouldn't still be working out how to be misanthropic singleton comic when I'm 60. I should have moved on by then. — © Jon Richardson
I shouldn't still be working out how to be misanthropic singleton comic when I'm 60. I should have moved on by then.
We started with the basics of kicking and punching, then we moved on once we got proficient in that, we moved on to working with the weapons, and from then on working with the wires.
I was born in L.A., then we moved to Hawaii, then we moved to New York, then we moved to Baltimore, then we moved to California, then we moved to Hawaii, then we moved to Texas, then we moved to Hawaii, then we moved to California. This was before I was 17.
When I moved from Boston to L.A., I floundered. I definitely did time at the Improv and the Comedy Store, making 20 bucks a night. I learned how to be a starving comic. I was an in-debt comic: I ate well on loan.
I looked at Tank Girl, which is the coolest comic, ever. The movie didn't make the comic book any less cool. The comic is still the comic.
Singleton has an almost uncanny ability to resist being caught up in the fads and fancies of the moment. Like most great innovators [and investors! - Ed.], Henry Singleton is supremely indifferent to criticism.
I don't think that anyone should be working out more than 60 to 90 minutes, four to five days a week.
I've always said if a woman is looking for a good husband, she should go for a Jewish man past 60. Jewish men are essentially brought up to love women. Then you rebel against that and become a bit of a bastard. Then at 60, you revert.
I sort of tried to get a basketball scholarship out of high school, but that didn't happen. Then I started working for UPS, and that paid for tuition for school. I moved to a bigger town, Louisville. I did it for a year. I had to work the graveyard shift. And then you get off at eight for classes, so that sucked. Then I dropped out.
I'm still working! I think of all the other comics that didn't get the light shined on them, just because it's just how fame works, and it's unfortunate. But there are so many great comics out there who are still working, and I still see them.
The Valkyries were an idea that my boss and I came up with when, at the comic shop one day, I mentioned how great it would be if there were a girl gang for women working in comic shops.
When we first moved to California from Las Vegas, we got into surfing. We figured we should do something to get in shape, but we hate working out. Surfing is definitely a work out.
I did always want to write. And then, when I left New York, where I was working very steadily in the theater - I had done three Broadway shows in a row and was a bit burnt out - I moved out to L.A. and I was not working very much. I came in cold and I'd work for a week, but then I'd have a month or two off. I thought, "I'm going to go crazy unless I actually do write." Like a lot of things in life, it was a situation that came about by circumstances.
As long as bands are still out there slaving away in the garage and putting out their own records and just pushing the envelope for how songs should be written or how they should be played, punk will never die.
I started working as a kid doing dubbing, and then I started doing television when I was 11 or 12, and then movies, and I worked mostly in French, and then I started working in English, and then I moved to New York. So I think I managed to find a way to always make it a challenge for myself.
The government should not pick up every single bit of healthcare to where literally 60 percent of every dollar is just in your last 60 days of life. We should be more balanced than that and give people a chance to understand what the government should and should not pay for.
I still don't even know if the sheriff will let me see him. And suppose he did; what then? What do I say to him? Do I know what a man is? Do I know how a man is supposed to die? I'm still trying to find out how a man should live. Am I supposed to tell someone how to die who has never lived?
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