A Quote by Jon Ronson
We have to understand how the extremists got the way they are. Without that kind of understanding, we'd never really get to know them. I put in nothing about their childhoods. But what I have put in is stuff about the weird symbiotic relationship between us and them.
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In our childhoods we either get all the social and emotional and ethical skills we need to be well adjusted adults, or we don't. Some of us don't know how to tell someone we like them. A lot of us get depressed and get wasted. Why don't we do something that makes us feel better? Because we don't know any other way. When I didn't have enough skills I compensated with drugs and alcohol. It's like there was a hole in the wall and I put a poster over it.
I'm kind of a geek when it comes to talking about chord structures or melody, so I always loved in-depth conversations with musicians about things. I also enjoy when a fan can just put something on, and they really know nothing about music other than they like it and it touches them in some way.
I always look at magazines and wind up standing there like, "Whose house looks like this? Who lives this way?" I never can understand what the point of view is. The only thing you can really do, being a decorator, is put an educated client towards what it is they don't know about. The dialogue between a client and a decorator should be more about, "Let me help you get to the point where you can find a comfortable place to live and be exposed to things," the way that an art consultant exposes a person who wants to buy art to art, instead of inflicting good taste upon them.
You may be a geek. You may have geek written all over you. You should aim to be the geek they will never forget. Don’t aim to be civilized. Don’t hope that straight people will keep you on as some sort of pet. To hell with them, they put you here. You should realize what society has made of you and take full revenge. Get weird. Get way weird. Get dangerously weird. Get sophisticatedly thoroughly weird and don’t do it half way, put every ounce of your horse power into it. Have the artistic courage to realize your significance in culture.
I believe democracy requires a 'sacred contract' between journalists and those who put their trust in us to tell them what we can about how the world really works.
Incidentally, part of a photographer’s gift should be with people. You can do some wonderful work if you know how to make people understand what you’re doing and feel all right about it, and you can do terrible work if you put them on the defense, which they all are at the beginning. You’ve got to take them off their defensive attitude and make them participate.
I think celebrities are kind of put up on a pedestal and we don't really know much about them. I feel like my fans know every part of me because I've shown them.
Granny bit her lip. She was never quite certain about children, thinking of them-when she thought about them at all-as coming somewhere between animals and people. She understood babies. You put milk in one end and kept the other as clean as possible. Adults were even easier, because they did the feeding and cleaning themselves. But in between was a world of experience that she had never really inquired about. As far as she was aware, you just tried to stop them catching anything fatal and hoped that it would all turn out all right.
For me as a writer, it was understanding that we're so far behind in our way of dealing with death. We put someone in the ground, we bury them or we burn them, and then we're supposed to just move on and kind of get over it.
I'm worried about privacy because of the young people who don't give a damn about their privacy, who are prepared to put their entire private lives online. They put stuff on Facebook that 15 years from now will prevent them from getting the jobs they want. They don't understand that they are mortgaging their future for a quick laugh from a friend.
I only really fake it anymore with sommeliers who are being really snotty to me and I don't want to take their grief and so I try to do something to kind of throw them off or put them on the defensive, even if I don't know what I'm talking about
I only really fake it anymore with sommeliers who are being really snotty to me and I don't want to take their grief and so I try to do something to kind of throw them off or put them on the defensive, even if I don't know what I'm talking about.
I've never done a kissing scene with someone even when you're friends. I mean that sort of even makes it weirder. If you don't know them or like them at all, you can kind of put some weird like ... I don't know. It's the strangest thing. Look at the person next to you and imagine making out with them now, while I film it.
How often we say about our earthly friends, "I really would like to have a good quiet settled talk with them so that I can really get to know them." And shouldn't we feel the same about our Heavenly Friend, that we may really get to know Him? These thoughts have taught me the importance of the children of God taking time to commune daily with their Father, so that they may get to know His mind and to understand better what His will is.
You can put things in prose and understand them one way, and then there's understanding it by knowing how it feels. Things aren't real until you can feel that, until you can empathize with them. That's what protagonists do in books.
I thought how you can never tell just by looking at them what they were thinking or what was happening In their lives. Even when you got daft people or drunk people on buses, people that went on stupid and shouted rubbish or tried to tell you all about themselves, you could never really tell about them either... I knew if somebody looked at me, they'd know nothing about me, either.
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