A Quote by Jon Secada
There's always something about the Tonight Show that makes me a little bit anxious, nervous, excited. But it's good. It's good. It's been real good for me. It always has helped my career and Jay and all the people here have always been great.
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My dad's a musician, and he taught me how to play when I was three, I think, so I've been playing ever since. It's something I've always done. And when you're really young, and you play music for people, people get really excited, so you get this inner sense that you are good at it, even though I've always been really not good at it.
I'm always anxious when it comes to my kids. This always makes me feel very vulnerable. Sometimes you think you aren't a good mama, you always feel a bit guilty when you're a mom. You want to be everywhere.
I've always wanted to do a segment on a talk show. Jay Leno has been such a good friend, and if he would allow me, I'd have to get it all together, but I'd like to go on 'The Tonight Show' and do a set with no props. Or come out with a trunk and never touch it. Or come out with a clear trunk with nothing in it.
As an adult, I've always tried to be a good person my whole life, so I've made good friends, and I've always built great relationships and been friendly with people. I always think what you do to others will come to you, so that's how I treat people.
Running has always been a relief and a sanctuary—something that makes me feel good, both physically and mentally. For me it's not so much about the health benefits. Those are great, but I believe that the best thing about running is the joy it brings to life.
There has always been a display of wealth and always will be, until the depression comes, which it always does. And let me tell you, a display is a good thing. It shows people that you can be successful. It can show you a way of life.
I think it's good to have different styles, though. I think it's good to have a lucha on a show, some Japanese flavor, I think MMA is a good thing, a little bit of the hardcore and the blood and guts is good. That is what makes a show for me.
Even before I did stand-up, I've always been the kind of guy - and I talk about it on stage - who says I like people and I always look for the good in people. I say, 'Every person has something good about them, if you can just find it.'
True stories are always good because they're so odd, and so unlikely. It's always good to have a world that people don't know about - a world that hasn't yet been done. It's like treading on fresh snow. You're the first one there. It always feels good to be dealing with a period of history or a world that no one else has dealt with.
Both of my grandmothers have always been really good bakers, and I was always in the kitchen helping them. Obviously I can't eat a lot of the things that I make, but just baking it and giving it to someone makes me feel really good.
Regarding the current Broadway revival of The Music Man, Jay Nordlinger wrote: There will always be those who sniff that the show is "feel good"-but, oh, it feels good to feel good. And the main reason The Music Man feels so good is that it is good-a great American musical.
Wenger gave me the opportunity to be where I am today. He's a coach that helped me a lot, who gave me a chance, who's always been there for me in the bad moments. He called me, consoled me, gave me good advice, told me what I had to do to become a great player. I can only thank him.
Acting has always been something for me that's been a romp. I just show up and I have a good time, and I hope that I get through the day and I can have lunch in the sun.
I've always been a little kid compared to the guys I've competed against in terms of body development. I've always looked a lot younger, so naturally my body got a bit bigger and stronger. I combined that with a good work ethic, good mindset and focus.
But something magical happened to me when I went to Reardan. Overnight I became a good player. I suppose it had something to do with confidence. I mean, I'd always been the lowest Indian on the reservation totem pole - I wasn't expected to be good so I wasn't. But in Reardan, my coach and the other players wanted me to be good. They needed me to be good. They expected me to be good. And so I became good. I wanted to live up to the expectations. I guess that's what it comes down to. The power of expectations. And as they expected more of me, I expected more of myself, and it just grew and grew.
One must shed the bad taste of wanting to agree with many. "Good" is no longer good when one's neighbor mouths it. And how should there be a "common good"! The term contradicts itself: whatever can be common always has little value. In the end it must be as it is and always has been: great things remain for the great, abysses for the profound, nuances and shudders for the refined, and, in brief, all that is rare for the rare.
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