A Quote by Jon Spaihts

I'd wanted to be a writer since I was knee-high. Once I knew that books were written by people and didn't just happen, it was obviously that I would write them, too.
Since I was trying so hard to make books lead my life, I didn’t want to read them and then just put them back on the shelf and say, “good book,” as if I was patting a good dog. I wanted books to change me, and I wanted to write books that would change others.
I think that books for young people should have serious and important themes, they shouldn't be trivial. So the books I write, they would be the kind of stories you would write in an adult novel only they just happen to feature a child at the center of them.
Its intuition that works. Just intuition.""Waterstones was aimed at me. I knew that I wanted, and badly needed in my life, bookshops just like the ones I was creating. I simply assumed that plenty of other people, no doubt of wildly differing demographics, would find once they saw them that they wanted them too. Well - they did.
Once I began college, I was committed to writing, which I think is different from saying I wanted to become a writer. I knew I would always write; I just wasn't always sure how I would go about doing so.
Isn't it remarkable how everyone who knew [D.H.] Lawrence has felt compelled to write about him? Why, he's had more books written about him than any writer since Byron!
By the time I got to college I had stopped reading books because I wanted to "be cool" and started reading books simply because I wanted to read them. I discovered heroes like Roth, King, Dahl, Shirley Jackson, Patricia Highsmith, TC Boyle, Douglas Adams, Neil Gaiman, David Sedaris. These people weren't trying to "rebel against the literary establishment." They were trying to write great, high-quality books that were as entertaining and moving as possible.
I was so in love with books from as early as I remember that it seemed a natural step to want to create them. And so I just wanted to be a writer from a very young age. And I think that the lies were just a natural side effect of me wanting to tell stories and write them down.
In terms of the economics, yes obviously the rise of e-books and how people choose to read books has a big effect on the economics of the game. But whether people are buying them on paper or downloading them there's still some poor wretch in a room who is trying to write a poem, write a story, write a novel. And so my job doesn't change. It's just how people receive it and economic conditions on the ground change, but that doesn't affect what I write.
I wanted to be a writer that had an impact. I wanted, and still I say the same thing, I want to write books that change people's lives, change how we think and live and read and write. I wanna write books that are read in 50 or 100 years.
I think that if you look at all of the books that have ever been written about people working in the White House, they're sort of the opposite of my book. And I think that so many people want to write a book that sort of memorializes their place in history. And I wanted to write something for all of the women who are like me. I grew up in upstate New York, I graduated high school with 70 other people and didn't ever know that anything like this would have really been an option for me. So I wanted other young women — and men — to know that just being you is plenty.
I don't think I knew I would be a writer. I wanted to become a writer, and I tried to write.
One wouldn't want to say that what makes a good writer is the number of books that the writer wrote because you could write a whole number of bad books. Books that don't work, mediocre books, or there's a whole bunch of people in the pulp tradition who have done that. They just wrote... and actually they didn't write a whole bunch of books, they just wrote one book many times.
I had no ambition to be a writer because the books I read were too good, my standards were too high.
I write about the period 1933-42, and I read books written during those years: books by foreign correspondents of the time, histories of the time written contemporaneously or just afterwards, autobiographies and biographies of people who were there, present-day histories of the period, and novels written during those times.
When we signed with Warner Bros., they knew what they were getting. They knew they weren't going to get some easily manipulated prepackaged pop group. That was not going to happen. What they wanted, I think, was the integrity that we had to offer. What they wanted was the kind of street cred or cache that R.E.M. could bring to them and the chance that we would give them a hit or two. What happened was we gave them a bunch of hits. And we became huge.
I've known since I was 12 that I wanted to write. My father was a teacher, and there were so many books around, it seemed natural to pick them up.
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