A Quote by Jon Stewart
If you don't get it right with your first family, you can always do it again with another.
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Your first family is your blood family and you always be true to that. That means something. But there's another family and that's the kind you go out and find. Maybe even by accident sometimes. And they're as much blood as your first family. Maybe more so, because they don't have to look out for you and they don't have to love you. They choose to.
Get the mind right, the body will follow, you lose some battles in life, but if you always put your heart and passion forward first as your main objective, you will win the war, that’s what gives you the strength to get off the ground… and do it again.
When you first start writing-and I think it's true for a lot of beginning writers-you're scared to death that if you don't get that sentence right that minute it's never going to show up again. And it isn't. But it doesn't matter-another one will, and it'll probably be better. And I don't mind writing badly for a couple of days because I know I can fix it-and fix it again and again and again, and it will be better.
There's never the right last moment. Even if you get to say good-bye, even if you get to say "I love you", even if you jump off a plane and get a tattoo and hug everyone you've ever met right before you drift off with a smile, it is never the right last moment. There is always more to say, somewhere to go, something to remember. Another discussion, another fight. There is always supposed to be another day.
In one way or another, everybody has this experience in their lives... the moment when you have to define your relationship to family and how your family's made you who you are, whether you've spent your life running from your family or deeply connected to your family.
Your first film is always your best film, in a way. There's something about your first film that you never ever get back to, but you should always try. It's that slight sense of not knowing what you're doing, because the technical skills you learn - especially if you have a film that works, that has some kind of success - are beguiling. The temptation is to use them again, and they're not necessarily good storytelling techniques.
Over and over again, I looked family members who had lost loved ones to police violence, I looked them right in the eye and told them, 'Don't worry. We will get justice for your family.'
Once you win a National Championship, how do you do that again? How do you get the passion to do that again? We won it again right away, the next year. A lot of it had to do with the fact that I didn't give myself an opportunity to enjoy the first one.
Amadu is all about the family. I've never known love like that before, and it made me think, 'I want a bit of that'. It kind of forced me to get to know my family again. Another reason why he's so lovely.
I was brought up to believe that it's family first. Of all the people my parents knew, the family was most important. You always turn to your family, and the family supports you. We do what we can to support our young and go and see the grandchildren if they're doing plays at school and their sports events.
In the first place, when there is a policy of intentional aggression, inspired by a desire to get possession of the territory or the trade of another country, right or wrong, a pretext is always sought.
I've been writing the same book my whole life - that you're in one family, and all of a sudden, you're in another family, and it's not your choice, and you can't get out.
Do you enjoy holidays with your family? I don't mean your mom and dad family, but your uncle and aunt and cousin family? Personally, I do. There are several reasons for this. First, I am very interested and fascinated by how everyone loves each other, but no one really likes each other. Second, the fights are always the same.
Many first-time novelists end up rewriting their first two or three chapters, trying to get them 'just right.' But the point of the first draft is not to get it right; it's to get it written - so that you'll have something to work with.
I have always been the dunce, the never-do-well of the family, I've always have to pay double for my deeds, first with the scolding and then again because of the way my feelings are hurt.
My grandfather used to say 'Eat the biggest crabs first, that way you're always eating the biggest crabs.' In making a TV show, that means if you have a big funny or smart idea for an episode or a scene or a joke, go for it. Don't save it for another season or another episode, because you may not have the right time again. It's good advice for television, but truly stellar advice for eating crabs.
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