A Quote by Jon Stewart
I don't know how people feel,that's the beauty of TV, is they can see us, but we can't see them.
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Being in the beauty industry has taught me that most of us are never satisfied with how we look. We all wish we had better hair, could lose that last 10 pounds, or look like someone else. I always see the beauty in the clients that have sat in my chair, and I've tried to help them see it, too, and feel good about themselves.
Things are because we see them, and what we see, and how we see it, depends on the Arts that influenced us. To look at a thing is very different from seeing a thing. One does not see anything until one sees its beauty. Then, and then only, does it comes into existence.
The way I see it is, you can be a character on a TV show for years, then the TV show gets cancelled and your favorite actress or favorite comedian, you don't see them for a little while and then you see them back doing something else. You can still be enjoying them performing on TV.
I can use movie as a language. Not only could it send a good message, I could let people know about my thinking and how I see the world, how I see the colour, how I see the music, how I see everything.
I definitely feel sorry more people don't get to see my films. They aren't inaccessible, and if people got the chance to see them, I know they'd like them.
People only see you on TV and riding around like stars, but they don't see behind the scenes how much time you have to put in working out. The lifting, the eating habits, trying to change all that so you can be that guy on TV, to be a baller, that's what people don't understand.
Some things take so long But how do I explain When not too many people Can see we're all the same And because of all their tears Your eyes can't hope to see The beauty that surrounds them Now, isn't it a pity
People can see you on TV sloshing paint around with big four-inch brushes, and I learned to talk to camera in a friendly voice, not talking down to people, just explaining what I was doing. People like Picasso, Van Gogh, and Rembrandt did not have a weekly TV programme where people could see them painting.
I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.
I want to see people turn and writhe; make them feel things they cannot see and sometimes do not know.
The beauty that is there is also available for me, too. But I see a deeper beauty that isn't so readily available to others.... I don't see how studying a flower ever detracts from its beauty. It only adds
It's important to see how people see your work and how they feel about it. I know a lot of directors who are like, 'I never read reviews,' and I'm like, 'Yeah I can tell.'
I see people that have success, and I see how poised and polished they are and how they handle it. I wonder inside if they feel the same way that I feel.
That's why I like to get out there, and get people to see the other side of Mitt, and know us in a different reflection when you see the family and how funny he is with the boys and with the grandkids. And you know, just what a super guy he is. That's part of what I am doing, is letting people see the other side of Mitt.
A good photograph will prove to the viewer how little our eyes permit us to see. Most people, really, don’t see-see only what they have always seen and what they expect to see-where a photographer, if he’s good, will see everything. And better if he sees things he doesn’t expect to see.
You know what I never get with the limo? The tinted windows. Is that so people don't see you? Yeah, what a better way not to have people notice you than taking a thirty foot Cadillac with a TV antenna and a uniformed driver. How discreet. Nobody cares who's in the limo. You see a limo go by, you know it's either some rich jerk or fifty prom kids with $1.75 each.
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