A Quote by Jon Stewart
The goals for me have changed somewhat. There's a bit of seduction to the idea of being on network, but it got to the point where that wasn't important. What's important is doing something worthwhile. Which is why I've always avoided being on a sitcom. Yeah, it's high-profile and it's on a network, but you know what? You could be on Suddenly Stewart.
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It doesn't always make sense to have a token on the blockchain that is both useful and represents ownership - it has to be something where there's a network effect. That's why I cite Facebook as an example of what could be disrupted more so than, say, Amazon - which is bit more centralized and is not exactly a network of users in the same way.
The network of enlightenment is a very wide network. It's not relegated to a simple type of being. It's not the network of the goody-goods.
I do not have friends and network with the commercial cinema world. In every business, the network is important.
Suddenly, everyone woke up, and everything was moving online. We've got Netflix making original series, CBS placing their network online, and suddenly, everyone's announcing some kind of digital network for serving their content online.
Working in network sitcom arenas, whenever you decide to depart from the norm and tell a story that's not typical, I think you're always a little bit nervous.
TechStars offers a network, and being a part of that network is an awesome opportunity.
All the coverage of skateboarding sucks. They couldn't care less when it comes to how skateboarding is portrayed. All I can do is portray it the right way when it comes to me. So skateboarders can look at what I'm doing and say, "Yeah, the only person doing it the right way is him." That's why Street Dreams was so important in being 100% true to skate culture. That's why the Wild Grinders are important in showing the different styles of street skating. That's why I get involved in building the skate parks. All I can do is show skateboarding the right way.
To go from working with a group of people in a sketch-comedy show on a small network, where it was all about just creating funny stuff, to being on a network show, and the pressures of that, and getting to know the new people who were involved in it. There was a learning curve for me. But it was an education.
It's hard being on a new network, a smaller network.
I feel like network didn't want me. I was doing all these pilots, and it never worked out. I was like, network doesn't like me. I'm going to go to cable where I'm appreciated. Then it was funny; I think I had to go to cable for network to appreciate me.
I think when you're photographing - when anybody's photographing another person in a private situation, it's a kind of a seduction but it's not always a sexual seduction... I feel like when Jack [Welpott] was doing it, it was a sexual seduction and when I was doing it, it was more of a psychological seduction in order to get them to cooperate with me... Not because I wanted them to spread their legs or... be, you know, Wanna sleep with me? , or whatever.
Disadvantaged kids many times don't have the support network that we all have. I know how important my parents were in my life and many of these kids don't have that support network.
I had a spectacular four years as OpenTable CEO and remain an active executive chairman. I think, for me, some of the interesting observations there are, you know, global is important, mobile is extremely important. And then, network businesses are very attractive.
As network administrator I can take down the network with one keystroke. It's just like being a doctor but without getting gooky stuff on my paws.
Destroy everything. That's all well and fine, but you got to offer something in it's place. Since I always have a point and purpose to what I do, thats why people accuse me of being calculated. it's the way I am. I always know my next move. I could never conjure up a death wish, this is all I have is life. I don't know what comes next, and frankly I'm in no rush to find out. I don't believe in playing a martyr just for the sheer hell of it. And for something as chidish as Rock 'N' Roll is not on.
My mother would strike me off if I didn't say theatre was incredibly important, and when you see something like 'Network' at the National Theatre, my god it's important. You feel like you can't breathe.
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