A Quote by Jon Stewart

Sitting around with funny people, banging out jokes and creating a television show. I have no hobbies, no outside interests. I'm fine with spending 14 hours a day putting a show together with tape and string.
You do show after show after show and get them done and on the air. Television devours material. We work a minimum of 12, 14 hours, and often 15, 18 hours a day.
I'm a very competitive person, and I always competed with myself. Every year, I'd take six weeks with my band, crew and choreographer to put a new show together. We'd spend eight hours per day, seven days per week putting a show together to beat the last year's show.
'Entourage' was a show that existed around wish-fulfillment. People watched it because they wanted to believe they could go on private jets and be hanging out in Hollywood, but as a show, comedically, it was not funny. Not a funny show. It's funny, ironically, because of how terrible it is.
It's interesting: I went 25 years without watching a single television show. I was one of those people, because I was so inside how a television show was made, if I would turn on somebody else's show, I would sit there and analyze it, like, 'Oh, so they had four hours in this location and had to get out and the number of set-ups, etc.'
The reasons I never set out to do a talk show is they're formulaic. People come out, tell jokes and read questions. But that's not what I do, and we built the show around my skill set.
When you're done with a job, even if you do stay in contact with certain people, it's never quite the same. It's a unique experience when you're working on a film or a television show together. You're together for 16 hours every day, sometimes six days a week. You're just never going to have that proximity again. So you miss people.
Any comic can get on the radio show and be funny. You can get that on any morning radio show or afternoon radio show. There are plenty of people who do that. It's not a difficult format, to sit around with two or three comics and be funny.
When you put yourself out there as an expert and the people you are trying to attract are people who want to do the very show you are doing, guys standing around, sitting around arguing with each other over sports, if you make a mistake that lights up like a flare in the middle of the night. You've just got to correct that or else they're going to say, 'Well, why do these dopes have that show? I can go out there and be just as good as them.'
We're very much perfectionists, so when we're putting on a huge show and want to play to the best of ability, we rehearse intensely. And I have a guitar pretty much in my hand for at least five hours before doing a show. I'm just noodling and mucking around and working on some of the songs here and there.
I think it gets really dangerous, though, to do it on the show. I think that the writers and producers are very much aware of that and the dangers of putting characters together and what that can mean for the show. You know, it's possible it could kill the thing that holds the show together, the chemistry, sexual tension between the two characters.
Gone are the days when people used to sit together and watch a show together. Today, it is all about become individual viewing. You miss a show, you can watch it on an app, while traveling, while sitting in your own rooms.
Yeah. When I was 14, my Dad had a radio show with really cool people from Ghent, our hometown, in it. The people who started the R&S techno label, they did a show, and a very well known Techno DJ called Frank de Wulf who was from around there, he did a show, and everybody could do what they wanted. They all started up there.
The people who run Hollywood are supposed to be masters at creating drama, suspense, thrills - at putting on a great show. If we knew not only who the winners were but also by how much they won, the Oscar show could actually be the Super Bowl of movies.
You see the standard hunting show; it's an outdoor television show. A lot of times, it's just a guy sitting in a tree, waiting on an animal. I don't think it does it justice, and I don't think it captures the enjoyment and the splendor of the incredible outdoors and the feeling of being out there.
One of the most fun characters I played on a television series, which didn't last long... was a show called 'American Gothic' that Shaun Cassidy created. I would have loved to have done that show forever. That character was so funny yet demonic. It was really good writing and a really good idea. I loved all the people on the show.
To go from working with a group of people in a sketch-comedy show on a small network, where it was all about just creating funny stuff, to being on a network show, and the pressures of that, and getting to know the new people who were involved in it. There was a learning curve for me. But it was an education.
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