A Quote by Jon Taffer

Bars are about experience and interaction; so often, the people make the bar. — © Jon Taffer
Bars are about experience and interaction; so often, the people make the bar.
I can't remember 16 bars. Unless you write it, you can't. I just do it bar for bar.
The uneven bars make me especially nervous because when you stop training, you lose sense of where the bar is going to be.
The nightlife in Baltimore is very mixed. Any gay people I know go to the hipster bars; they don't go to the gay bars. Start your night at the Club Charles, and then you can meet people to go other places. The Charles has been Baltimore's favourite cool hipster bar forever.
My experience of coming out was very much centered around the bar scene. And what happened for me is that when I turned 18 and was old enough to get into certain gay bars in the French Quarter, I became a regular customer.
If you want to be a chef or a scientist, you've got to know what the current thinking is, so if you want to write comics or draw comics find out what the very best ones are and look at them all and then you'll know where the bars are because the bars are often very high, if you are going to make a splash and make yourself known, you need to get to that level.
None of our bars smell like a bar at all - that's our number one rule - and we use certain scented candles and certain types of incense in order to give our bars a specific feel and ambiance.
The people who can step up my experience are those who have a common set of experiences with people I know. Think about it. How often did a total stranger come into your life to make your evening better? Not very often. But the friend of your friend? That happens all the time.
We went from candy bars, to handle bars, to hangin' in bars, to being behind bars
For about three years I was performing at one bar in East Los Angeles that was like a mean dive bar. You're in there performing for drunks or bikers, not the most flattering people. I think it helped build my confidence, because you have to get their attention, then make them laugh.
Human interaction is something that I believe, as humans, we crave for. And that is where bars and social environments come into play.
I first started playing in piano bars for three reasons - to make money, to be in the company of my friends - and also to hook up with young girls. I always knew, even before I played in piano bars, about the effect of my voice.
People want a remarkable experience; it's what they'll talk about, largely because the bar has been set so low by so many companies.
People don't listen to marketplace logic; they listen for meaning and purpose. Attention can't be bought. Before any interaction, ask yourself: 'How do I want to make people feel or act?' Put yourself in their shoes. The role of a leader is to create an experience that will inspire people to take action.
After 'Chandni Bar' there was a shutdown of such bars in Mumbai. After 'Page 3' people started avoiding such events. 'Traffic Signal' exposed the money flow through the mafia. I'm not apologetic about the brutal truth in my films. Almost 70% of my films are based on reality, and 30% I fictionalize or change to suit my film.
Sometimes it could be just during the day, when I'm riding in the car or on the plane. I'll hear somebody say something that strikes a chord and I write it down and write bars at a time, and then when I'm in the studio I go to those bars and I'm like, "Maybe I should make a song about this."
A lot of people, after seeking a bit, have some experience, and sometimes will believe they're enlightened. One has to be careful about that. Especially Americans, who are very external stimulus oriented. When they have some type of deep inner experience, often they think that was the ultimate experience.
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