I toured around the country and met all these Broadway producers who put me in all these Neil Simon plays like 'Brighton Beach Memoirs' and 'Biloxi Blues.'
I liked 'Brighton Beach Memoirs,' which I did with Neil Simon. I kind of was playing him, as Eugene Morris Jerome, and I played that a few times at the very beginning of my career.
When I was a kid my father would read Neil Simon plays with me when I was going to bed, as bedtime stories. All of these old plays like The Odd Couple and Lost in Yonkers - funny but corny plays about Jewish New Yorkers in the mid-20th century.
I was 23, and I was in L.A. while on hiatus [as an understudy] from Biloxi Blues on Broadway. The guy that I'd been studying with had been fired for horsing around on stage with Matthew Broderick, and they were really anxious to get me back into the play. So I was in a great situation, and at the time, I definitely wasn't thinking about television
When I was a kid, my father would read Neil Simon plays with me, when I was going to bed, as bedtime stories.
Eric Clapton was such a great player. He sounds like he's Freddie King or someone like that. He plays the roots of blues and Delta blues. He really affected me with the way that he plays, because he never really plays that many notes.
When I was in high school, I read all of Neil Simon's plays.
My mother's side of the family was in the production side of theatre. My grandfather, Jose Vega, was a general manager for Neil Simon shows on Broadway.
I drifted into acting. My grandfather had a house in Buffalo in which there was a stage, and his friends met every two weeks or so to put on plays. So it was natural for me to put on plays, too, when I went to boarding school. I put on everything in the drama - I was indiscriminate. I put on Yeats and Shaw and Lady Gregory.
I spent the day today at Brighton Beach, walking around. It's a Russian/Jewish neighborhood. And I was in a store and I saw a board game called 'Let My People Go,' based on the Jews' exodus from Egypt. I was like, 'Too soon.
I want to go back to the format that radio started with rock n' roll, with country artists and rhythm and blues with that oldies type feeling. I want to put it all together and create a Top 40 of rhythm and blues and country and straight blues with Wolfman at the reins.
I had toured around England endlessly throughout my teens, but when I came to the U.S. to perform on Broadway, that was a huge step.
I was in 'Grease' on Broadway, toured with 'Wicked,' was off Broadway a couple of times and have been a part of numerous readings and workshops.
We have a desperate need for producers in the [commercial Broadway] theatre, and it is very hard for them to get money and find investors for new plays.
I was born and raised in Santa Cruz, California, and the whole lifestyle revolves around the beach. My parents met surfing, and the beach was a major part of our daily lives.
I lifted onto my toes, put my hands aroung his neck, and pulled him down. When our lips met, that first jolt... It was everything I hadn't felt with Simon, everything I wanted to feel. His hands went around my waist, pulling me closer--
In each genre, I've been around the biggest. In pop I toured with Justin Timberlake, with reggae it was Sean Paul; I toured with Jay-Z and the Red Hot Chili Peppers. It's all an education for me, to see how they do it.